Edit
Storyline
Jeff Bailey, small-town gas pumper, has his mysterious past catch up with him one day when he's ordered to meet with gambler Whit Sterling. En route to the meeting, he tells girlfriend Ann his story. Flashback: Once, Jeff was a private eye hired by Sterling to find his mistress Kathie who shot Whit and absconded with $40,000. He traces her to Acapulco...where the delectable Kathie makes Jeff forget all about Sterling... Back in the present, Whit's new job for Jeff is clearly a trap, but Jeff's precautions only leave him more tightly enmeshed... Written by
Rod Crawford <puffinus@u.washington.edu>
Plot Summary
|
Plot Synopsis
Taglines:
A guy without a fortune! A girl with too much past!
See more »
Edit
Did You Know?
Goofs
Leonard Eels's apartment at 114 Fulton Street would be part of the block then occupied by the main branch of the San Francisco Public Library (now the Asian Art Museum).
See more »
Quotes
Jeff Bailey:
You can never help anything, can you? You're like a leaf that the wind blows from one gutter to another.
See more »
Connections
Featured in
Pane e tulipani (2000)
See more »
Soundtracks
The First Time I Saw You
(uncredited)
from 'The Toast of New York' (1937)
Music by
Nathaniel Shilkret
Used as main theme in score
See more »
Full of atmosphere and heat, "Out of the Past" is a classic film noir, directed by a master, Jacques Tourneur. Although considered only an above-average B movie at the time of release, it's doubtful anyone thinks of it that way today, as it is superior to many "A" films. With a top-notch cast and a deceptively easy pace that belies the tension and danger underneath, "Out of the Past" makes for an intriguing, absorbing film.
Robert Mitchum and Jane Greer make a great pair - both are sultry, sexy, hard to read, and gorgeous. I found Greer's performance quite interesting. In the beginning, she appears quite warm, frightened, and sincere, as opposed to, say, Lizabeth Scott in "Dead Reckoning." When she turns hardboiled, it's subtle, with only a change in her eyes and voice, when she comments that Fisher isn't going to say anything to anybody. I love the way Mitchum sizes up women. He absolutely smolders, and 40 years later, in "The Winds of War," he was still smoldering.
Kirk Douglas is appropriately edgy in his supporting role as Whit. Rhonda Fleming has a small role, but no one that incredibly beautiful was going to go unnoticed for long.
What a wonderful film, what a perfect example of a genre.