During the early part of his reign, Ivan the Terrible faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.
Director:
Sergei M. Eisenstein
Stars:
Nikolai Cherkasov,
Lyudmila Tselikovskaya,
Serafima Birman
As Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate their Tsar.
Director:
Sergei M. Eisenstein
Stars:
Nikolai Cherkasov,
Serafima Birman,
Pavel Kadochnikov
A chronicle of the trial of Jeanne d'Arc on charges of heresy, and the efforts of her ecclesiastical jurists to force Jeanne to recant her claims of holy visions.
Director:
Carl Theodor Dreyer
Stars:
Maria Falconetti,
Eugene Silvain,
André Berley
A crafty gentleman comes to a riverside park and office where three pretty girls have their problems on male-and-female relationships and decides to instruct them against their questions to free them.
Director:
Kenji Mizoguchi
Stars:
Katsumata Ani,
Ken Matsudaira,
Ayaka Morita
Taiwanese School: The Experiment of Sergei Eisenstein's Montage Theory is a film featuring Sergei Eisenstein's montage art and revolutionary spirit, 'unification of society' as its theme. ... See full summary »
An unconventional documentary that lifts the veil on what's really going on in our world by following the money upstream and war-criminals- uncovering the global consolidation of power in nearly every aspect of our lives.
Director:
Benjamin Fulford
Stars:
Shinzo Abe,
Madeleine Albright,
Richard Armitage
Dismantling Auteur Theory: Tsai Mingliang and Lee Kangsheng (2008) is a film featuring promotional activities of Tsai Mingliang and Lee Kangsheng for their film ''Help Me, Eros (2007).''
Based on the historical events the movie tells the story of a riot at the battleship Potemkin. What started as a protest strike when the crew was given rotten meat for dinner ended in a riot. The sailors raised the red flag and tried to ignite the revolution in their home port Odessa. Written by
Konstantin Dlutskii <ked@falcon.cc.ukans.edu>
The ship that stands for battleship Potemkin, the Twelve Apostles,was beached in order to mark a sand bank, so the stern was deep into the rocks. That is the reason why, throughout the film, there are no panoramic shots of the ship, and the stern is never visible. See more »
Goofs
During the Odessa Steps sequence as the mother walks with her son towards the oncoming troops, a long shot shows as she approaches, the soldiers halt one flight of stairs above the one she is on. In the next shot, however, the soldiers are marching down another flight of stairs as if they are going to walk right past her. Then in the next scene they have stopped again and are on the same flight of stairs as if they hadn't moved at all. See more »
This classic is filled with vivid images that stay in your mind after you have watched it, and there is a lot to appreciate in the way that the key scenes were set up and photographed. The visuals are so impressive that the movie's imperfections are usually not so noticeable, and they don't keep it from being a memorable film.
The movie certainly deserves the praise that it gets both for the influence that it has had, and for some ideas that for the time were most creative. The famed 'Odessa Steps' sequence alone demonstrates both fine technical skill and a keen awareness of how to drive home an image to an audience. It deserves to be one of cinema's best remembered sequences. Some of the other scenes also demonstrate, to a lesser degree, the same kind of skill.
It says a lot for how effective all of the visuals are that so many viewers think so highly of "Battleship Potemkin" despite a story that is sometimes heavy-handed, and despite characters and acting that are both rather thin. These features might simply stem from the collectivist philosophy that lies behind the story, and they are obscured most of the time by Eisenstein's unsurpassed ability to present pictures that viewers will not forget.
Despite the flaws, this is a movie that most fans of silent films, and anyone interested in the history of movies, will want to see. There's nothing else in its era that's quite like it.
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This classic is filled with vivid images that stay in your mind after you have watched it, and there is a lot to appreciate in the way that the key scenes were set up and photographed. The visuals are so impressive that the movie's imperfections are usually not so noticeable, and they don't keep it from being a memorable film.
The movie certainly deserves the praise that it gets both for the influence that it has had, and for some ideas that for the time were most creative. The famed 'Odessa Steps' sequence alone demonstrates both fine technical skill and a keen awareness of how to drive home an image to an audience. It deserves to be one of cinema's best remembered sequences. Some of the other scenes also demonstrate, to a lesser degree, the same kind of skill.
It says a lot for how effective all of the visuals are that so many viewers think so highly of "Battleship Potemkin" despite a story that is sometimes heavy-handed, and despite characters and acting that are both rather thin. These features might simply stem from the collectivist philosophy that lies behind the story, and they are obscured most of the time by Eisenstein's unsurpassed ability to present pictures that viewers will not forget.
Despite the flaws, this is a movie that most fans of silent films, and anyone interested in the history of movies, will want to see. There's nothing else in its era that's quite like it.