A teenage girl living in California suburbia devises a metaphysical experiment designed to save the world from what she sees as an impending doom...but the results of such an experiment prove to be both beneficial and destructive.
A dark comedy which chronicles the final day in the life of self-proclaimed artist and genius, K. Roth Binew. Binew is a dreamer who elevates his drab and somewhat pitiful existence into a ... See full summary »
Overwhelmed by a disastrous lightning storm that his son predicted, a man must learn to trust his son in order to save his family and the whole community.
Director:
David Giancola
Stars:
John Schneider,
Jesse Eisenberg,
Michele Greene
Some Boys Don't Leave is the story of what happens when the break-up happens but the break does not. 'Boy' is forced to come to terms with the fact that 'Girl' no longer wants him around. ... See full summary »
Director:
Maggie Kiley
Stars:
Jesse Eisenberg,
Eloise Mumford,
Jennifer Rau
A young journalist, a seasoned cameraman and a discredited war correspondent embark on an unauthorized mission to find the No.1 war criminal in Bosnia. However, their extremely dangerous target decides to come after them.
Director:
Richard Shepard
Stars:
Richard Gere,
Terrence Howard,
Jesse Eisenberg
Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
William Hundert is a passionate and principled Classics professor who finds his tightly-controlled world shaken and inexorably altered when a new student, Sedgewick Bell, walks into his classroom. What begins as a fierce battle of wills gives way to a close student-teacher relationship, but results in a life lesson for Hundert that will still haunt him a quarter of a century later. Written by
Anonymous
Kevin Kline's character, William Hundert, is modeled after Robert Nowe, a classical history teacher at Town School for Boys in San Francisco, who inspired the short story on which the film is based. See more »
Goofs
When the students are caught on the brink of skinny-dipping, one of the nuns is wearing a wimple (traditional headgear and veil) together with a habit that has an above-the-knee skirt. You would never see a nun wearing such a combination. See more »
Quotes
[first lines]
Valet:
Is everything okay, sir?
William Hundert:
Fine, thank you. Here.
[reaches into his pocket]
William Hundert:
Let me, uh...
Valet:
That's not necessary, sir.
[walks away]
William Hundert:
[narrating]
As I've gotten older, I realize I'm certain of only two things. Days that begin with rowing on a lake are better than days that do not. Second, a man's character is his fate. And as a student of history, I find this hard to refute. For most of us our stories can be written long before we die. There are exceptions among the great men of history, ...
See more »
I say that this is a tough sell of a movie because it seems like most movies marketing of late have to have some catch,hook or twist about it to sell to audiences,something either sexy,violent or both. Movies that stress intellectual or moral higher pursuits are somewhat rare to come by and when they are,they either are heavy-handed(Dead Poets Society)or arcane,word-of-mouth projects(Kidco,Stand and Deliver).If they don't feature some level of arousing interest(two examples:Sirens or Kinsey,both films I greatly appreciated BTW),then they are probably going to fall under the wheels of Hollywood's promotional behemoth if they are produced for the large screen.
Such,I suspect,is the case with The Emperors Club, a Neil Tolin screenplay based on a Ethan Canin short story. The central figure is one William Hundert(Kevin KLine,perhaps never more dignified in role),a well-respected and generally popular teacher at a Catholic,boys-only academy,who teaches the classics(i.e.Roman and Greek history and culture). His long stay as an educator is put to the test(probably not the only time,but what has to be the most memorable) in the 1976-77 school year when an arrogant,selfish son of a congressman(Emile Hirsch,avec David Cassidy fro)enrolls in the school,for whom Hundert decides he's going to make a special effort to "mold" into a true student of enlightenment. His efforts then have effects on both his students and himself that stay with him long after.
Well-acted,well-scripted,thoughtful and gently guided by Michael Hoffman(who directed Kline in the pleasant Midsummer Night's Dream adaptation three years earlier),this film quietly came and went in the Autumn of 2002 and it seems like a shame,but not un-understandably so. This is a show with virtually no violence and very little(if any)sexual content and the majority of the cast are either rising young stars who haven't quite reached high acclaim yet or are older character actors,so one will enter this on virtually a blind-faith interest of the film's topic or(more likely)an appreciation for Mr.Kline. To be honest and tell on myself,when this film was out I passed it up and didn't really sit down to appreciate it until very recently,and that was a a free library rental! As is,free or not,this is clearly a unique and recommendable movie.
20 of 21 people found this review helpful.
Was this review helpful to you?
I say that this is a tough sell of a movie because it seems like most movies marketing of late have to have some catch,hook or twist about it to sell to audiences,something either sexy,violent or both. Movies that stress intellectual or moral higher pursuits are somewhat rare to come by and when they are,they either are heavy-handed(Dead Poets Society)or arcane,word-of-mouth projects(Kidco,Stand and Deliver).If they don't feature some level of arousing interest(two examples:Sirens or Kinsey,both films I greatly appreciated BTW),then they are probably going to fall under the wheels of Hollywood's promotional behemoth if they are produced for the large screen.
Such,I suspect,is the case with The Emperors Club, a Neil Tolin screenplay based on a Ethan Canin short story. The central figure is one William Hundert(Kevin KLine,perhaps never more dignified in role),a well-respected and generally popular teacher at a Catholic,boys-only academy,who teaches the classics(i.e.Roman and Greek history and culture). His long stay as an educator is put to the test(probably not the only time,but what has to be the most memorable) in the 1976-77 school year when an arrogant,selfish son of a congressman(Emile Hirsch,avec David Cassidy fro)enrolls in the school,for whom Hundert decides he's going to make a special effort to "mold" into a true student of enlightenment. His efforts then have effects on both his students and himself that stay with him long after.
Well-acted,well-scripted,thoughtful and gently guided by Michael Hoffman(who directed Kline in the pleasant Midsummer Night's Dream adaptation three years earlier),this film quietly came and went in the Autumn of 2002 and it seems like a shame,but not un-understandably so. This is a show with virtually no violence and very little(if any)sexual content and the majority of the cast are either rising young stars who haven't quite reached high acclaim yet or are older character actors,so one will enter this on virtually a blind-faith interest of the film's topic or(more likely)an appreciation for Mr.Kline. To be honest and tell on myself,when this film was out I passed it up and didn't really sit down to appreciate it until very recently,and that was a a free library rental! As is,free or not,this is clearly a unique and recommendable movie.