American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family's unwillingness to let go of their traditional ways.
We consulted IMDb's Highest-Rated Action-Family Films to came up with 10 scene-stealing action figures your kids can relate to, look up to, and be inspired by.
A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to an older man in the dusk of his life as they build a fantasy world together through notes in the lunchbox.
Director:
Ritesh Batra
Stars:
Irrfan Khan,
Nimrat Kaur,
Nawazuddin Siddiqui
An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families... See full summary »
Shakespeare's masterpiece "Othello" set in modern India. A politically-minded enforcer's misguided trust in his lieutenant leads him to suspect his wife of infidelity.
Macbeth meets the Godfather in present-day Bombay. The Scottish tragedy set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the ... See full summary »
While traveling by train to visit his grandfather in Jamshedpur, Calcutta born, Bengali-speaking Ashoke Ganguli meets with fellow-traveler, Ghosh, who impresses upon him to travel, while Ashoke is deep into a book authored by Nicholai Gogol. The train meets with an accident, and after recuperating, Ashoke re-locates to America, settles down, returns home in 1977 to get married to aspiring singer, Ashima, and returns home to New York. Shortly thereafter they become parents of a boy, who they initially name Gogol, and a few years later both give birth to Sonia. The family then buy their own house in the suburbs and travel to India for the first time after their marriage. The second time they travel to India is when Gogol and Sonia are in their late teens, and after a memorable visit to Kolkata and then to the Taj Mahal, they return home. Gogol falls in love with Maxine Ratliff and moves in with her family, while Ashoke spends time traveling, and Sonia moves to California, leaving Ashima... Written by
rAjOo (gunwanti@hotmail.com)
Mira Nair originally wanted Abhishek Bachchan to play the part of Gogol, but changed her mind as she wanted someone who looks like he is raised in the US, so she cast Kal Penn as he was very keen to do the role, and also because Mira Nair's son wanted Kal Penn to do the role. See more »
Goofs
Right before the scene where the Gangulis are by the seashore and Ashoke and Gogol go towards the rocks, a 1987-1990 Chevrolet Caprice Station Wagon (really battered too) can be seen parked in the background, when the scene is set in 1977 (ten years before that model was even introduced to the U.S. market). See more »
Quotes
[first lines]
Man:
Mm, what are you reading?
Ashoke Ganguli:
Hm? "The Overcoat", by Gogol.
See more »
Crazy Credits
Kal Penn is credited twice - once as Kal Penn in the role of Gogol, and once as Kalpen Modi (his birth name) in the role of Nikhil. See more »
Barbershop Rap
Written by Michael E. Arrington, Jason Bonilla and Ian Dalsemer
Performed by The Elements and Mykill Miers
Courtesy of The Elements See more »
As a fellow Bengali and Jhumpa Lahiri fan, I had low expectations for a movie adaptation of her poignant novel (though I think The Interpreter of Maladies was better written). However, I was pleasantly surprised when I finally saw the movie at today's NY Times Arts and Leisure Weekend screening. The movie addresses all issues with care, and makes a non-Bengali audience understand the nuances of Bengali culture. The movie captures the hustle and bustle of India, sets the tone of the movie from the very first scene, and, overall, is heartwarming and true. It is humorous at all the right points, and the transition from a loud, vibrant and colorful life to a lonely, cold, and snow-white New York is breathtaking. You can feel Tabu's (Ashima's) loneliness. Jhumpa Lahiri's cameo is well-appreciated, though many in the audience did not catch it. The movie is respectful of Indian culture and uses small instances as canvases for large messages. Everyone is well-cast. Kal Penn shows himself to be capable of more difficult roles than the college-boy stereotype. Tabu and Irrfan Khan do not disappoint, since they are some of the highest-esteemed actors in India today. I felt like going back to Calcutta during all the Indian scenes. Starting the opening credits with the characters of the actors' names replaced with American characters was witty. "Everyday has been a gift, Gogol," Irrfan Khan (Ashok) tells Kal Penn (Gogol) in the movie, but truly, The Namesake is a wonderful gift for its audience, especially since I saw this movie 5 days before my birthday.
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As a fellow Bengali and Jhumpa Lahiri fan, I had low expectations for a movie adaptation of her poignant novel (though I think The Interpreter of Maladies was better written). However, I was pleasantly surprised when I finally saw the movie at today's NY Times Arts and Leisure Weekend screening. The movie addresses all issues with care, and makes a non-Bengali audience understand the nuances of Bengali culture. The movie captures the hustle and bustle of India, sets the tone of the movie from the very first scene, and, overall, is heartwarming and true. It is humorous at all the right points, and the transition from a loud, vibrant and colorful life to a lonely, cold, and snow-white New York is breathtaking. You can feel Tabu's (Ashima's) loneliness. Jhumpa Lahiri's cameo is well-appreciated, though many in the audience did not catch it. The movie is respectful of Indian culture and uses small instances as canvases for large messages. Everyone is well-cast. Kal Penn shows himself to be capable of more difficult roles than the college-boy stereotype. Tabu and Irrfan Khan do not disappoint, since they are some of the highest-esteemed actors in India today. I felt like going back to Calcutta during all the Indian scenes. Starting the opening credits with the characters of the actors' names replaced with American characters was witty. "Everyday has been a gift, Gogol," Irrfan Khan (Ashok) tells Kal Penn (Gogol) in the movie, but truly, The Namesake is a wonderful gift for its audience, especially since I saw this movie 5 days before my birthday.