Goofs
When King Arthur proclaims the establishment of the Round Table, heralds ride throughout the countryside to recruit the knights, all of which are seen in a montage of shots. At the conclusion of the montage, when those knights other than Lancelot are collectively dubbed by King Arthur in the castle courtyard, King Pellinor is seen standing to the right of King Arthur. King Pellinore does not enter the story until after Lancelot's arrival and on the May Day Festivities, well after the knights in the montage had been assembled.
See more »
Quotes
[
first lines]
A Knight:
The rules of battle are not for Lancelot Du Lac, Your Majesty! Let us attack now while they sleep!
King Arthur:
[
firmly]
We will attack when I give the command - at dawn.
[
the knight leaves, and Arthur begins to talk to himself]
King Arthur:
Oh, Merlyn, Merlyn, why is Ginny in that castle, behind walls I cannot enter? How did I blunder into this agonizing absurdity? Where did I stumble? How did I go wrong? Should I not have loved her?
[
sighs]
King Arthur:
Then I should not have been born! Oh, Merlyn, I haven't got much ...
[...]
See more »
Soundtracks
I Wonder What The King Is Doing Tonight
(uncredited)
Lyrics by
Alan Jay Lerner
Music by
Frederick Loewe
Sung by
Richard Harris See more »
It's hilarious that one reviewer here on IMDb singles out Franco Nero as the best singer out of the three leads. He obviously wasn't aware that Franco Nero didn't do his own singing ad was in fact dubbed by Gene Merlino! Richard Harris and Vanessa Redgrave did do their own singing.
Overall, Camelot has a melodious score by Alan Jay Lerner and Frederick Loewe and some first rate production values but it drags in spots. It's also very much a product of the 1960s as "The Lusty Month of May" is turned into some sort of pseudo hippie medieval love-in.
As for the performances Harris is a little too fey for my tastes as King Arhur. Vanessa Redgrave, although a good actress lacks the beautiful vocal renderings Julie Andrews gave the part and Franco Nero is hopelessly wooden as Lancelot. David Hemmings is a delightfully devious Mordred and almost steals the film from the rest of the cast.
Camelot is ultimately a very good example of the over-produced, over-stuffed musicals the studios were turning out during this period.