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Storyline
Eddie is a private detective. When a client asks him to help persuade his ex-wife to leave him alone, Eddie says yes. Nothing strange about that ?, well 'ex' refers to the fact that she died 10 years ago. Eddie thinks this will be an 'easy money' case, but soon falls for the beautiful woman who insists she's no ghost. Is she, or isn't she ?. Watch and find out. Written by
Rob Hartill
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Taglines:
Some Passions Can Be Deadly
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Did You Know?
Trivia
Tommy Lee Jones would later appear as Harvey Dent in
Batman Forever (1995), which is set in the fictional Gotham City.
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Quotes
Eddie Mallard:
I humored his delusion, and I did it because the sight of $1,000 in one place turned me into an asshole.
Tim:
You've been an asshole at least as long as I've known you.
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Soundtracks
Danny Boy
Composed by
Frederick Edward Weatherly (as Frederic E. Weatherly)
Performed by
J.B. White (uncredited)
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I'm not certain how I missed Fonvielle's 'Gotham' (or 'The Dead Cant Lie', TV 1988) when it came out in the late 80's...I found this by accident, and enjoyed watching it late one night. I can't agree more with the other comments/reviews already listed praising this film. I have two suggestions though...one viewers can do nothing about, and one you can. Sadly the format is (made-for-TV) full-screen, and there are many instances during the film when it's painfully obvious that a wide-screen format would add immensely to the atmosphere and mood. There's not much you can do about that though; however, what you can do, is turn your TV's 'Color' off, or desaturate the color, and add a little 'Contrast', to enjoy this film in B/W ('film noir'). As for Fonvielle, his 'The Mummy' (1999) is also a fun-filled thrill not to be missed, and 'Cherry 2000' (1987) has Melanie Griffith in her finest form (maybe ever!). His other writing credits are worthy of mention, but both 'The Bride' (1985) and 'The Lords of Discipline' do not seem to have been given the production, or directorial justice, that Fonvielle's work deeply deserved. Watch 'Gotham' as an 80's tribute to classic film noir, and/or as an intriguing preview to 'A Prairie Home Companion' (2006).