Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in... See full summary »
Director:
Michael Mayer
Stars:
Colin Farrell,
Dallas Roberts,
Robin Wright
When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is ... See full summary »
Romantic drama set in rural Ireland of the 1930s. The story begins when 19-year-old Elizabeth has a brief fling with an actor and falls pregnant. Community pressure forces her to marry a ... See full summary »
Director:
Richard Standeven
Stars:
Elisabeth Dermot Walsh,
Dermot Crowley,
Liam Cunningham
An ex-con with a reputation tries to go straight by working as a handy man for a reclusive actress but this is unfortunately not the wish of London's underground crime lord.
Director:
William Monahan
Stars:
Colin Farrell,
Keira Knightley,
Ray Winstone
Sonora, Mexico, 1852. During war with the apaches and the invasion of the US in Mexico, a muleteer decides to leave home to find a better place to live. To do so he will have to cross the land of the Chiricahuas to find gold.
L.A. in the early 1930's: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he's mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. "Camilla Bandini": is it in the cards? Written by
<jhailey@hotmail.com>
Passion and ambition drive two dreamers in 1930s LA. Their love affair is ferocious and hot-blooded as they fight the city and themselves to make their dreams come true.
Gloomy Sunday
Written by László Jávor, Sam Lewis (as Sam M. Lewis) & Rezsö Seress
Performed by Artie Shaw & His Orchestra
Courtesy of Bluebird/Novus/RCA Victor
By Arrangement with Sony BMG Music Entertainment See more »
The movie has the hallmark of old American writings, with lots of metaphors and big words for showing what is really everyday life. The script is original, unlike most of the films today, because is based on a book about the depression era in the US. The actors play very well and the images are very well done. I would venture to say the soundtrack was equally flawless, since it didn't bother me one bit (didn't really notice it, either).
So what was wrong about the movie? I don't know. Maybe the pace, since it was two hours long. Or the subject, which was ... smooth. I mean, there were no real bumps in it. Everything just went by itself. In the tradition of "road writers" the character is almost an observer, left to his own emotions, but incapable of acting. I can't say that characters weren't original, but more in the direction of weirdly annoying rather than interesting.
Bottom line: it's a drama. The romance itself is strong, not the diluted stuff you see nowadays, but I wouldn't call this a romantic movie. I suggest watching it when you feel philosophical or want something new, yet slow paced.
14 of 18 people found this review helpful.
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The movie has the hallmark of old American writings, with lots of metaphors and big words for showing what is really everyday life. The script is original, unlike most of the films today, because is based on a book about the depression era in the US. The actors play very well and the images are very well done. I would venture to say the soundtrack was equally flawless, since it didn't bother me one bit (didn't really notice it, either).
So what was wrong about the movie? I don't know. Maybe the pace, since it was two hours long. Or the subject, which was ... smooth. I mean, there were no real bumps in it. Everything just went by itself. In the tradition of "road writers" the character is almost an observer, left to his own emotions, but incapable of acting. I can't say that characters weren't original, but more in the direction of weirdly annoying rather than interesting.
Bottom line: it's a drama. The romance itself is strong, not the diluted stuff you see nowadays, but I wouldn't call this a romantic movie. I suggest watching it when you feel philosophical or want something new, yet slow paced.