This is the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate.
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Director:
Gregg Araki
Stars:
James Duval,
Rose McGowan,
Johnathon Schaech
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Set in the New York club scene of the late 1980's thru the 1990's, a tale which chronicles the rise and fall of club-kid promoter Michael Alig, a party organizer, whose extravagant life was sent spiralling downward when he boasted on television that he had killed his friend, roommate, and drug dealer, Angel Melendez. Originally from Indiana, Alig moved to New York, and came to be an underground legend, known for his excessive drug use and outrageous behavior in the club world. At his peak, he had his own record label, and magazine, and hosted Disco 2000, one of the biggest club nights in New York in the '90s. He was doing a lot of drugs, and as his addiction got worse, his party themes became darker and more twisted. Alig's saga reached its tragic crescendo when he viciously murdered his drug dealer, Angel, by injecting him with Drano and throwing him in the East River. The power he wielded on the club scene made him feel untouchable, so he didn't hestitate to boast of the murder. The... Written by
Sujit R. Varma
The "Club Kids" were a real group of people in the 1980s, young people (usually twenty five was considered too old) who would go to clubs and make themselves into celebrities with bizarre antics and self-styled images. The Club Kids made their entire livings based on the fact that they were Club Kids - party organizers, club owners, and talk show hosts paid them obscene amounts of money simply to show up and party. See more »
Goofs
When Michael Alig puts the money in the newspaper box to get a copy of the "Andy Warhol is Dead" issue, he opens the box before the money drops in the coin slot. See more »
Quotes
Michael Alig:
Oh typical James. Can't even stay awake for your own movie. But it's not your movie, it's really my movie. Hi. I'm Michael Alig.
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Happy Hour
Written by Felix Stallings, Jr., Tommie Lorello, Dave Jenefsky
Performed by Felix Da Housecat
Courtesy of Emperor Norton Records and Cityrockers See more »
The material here (covered in a similarly named documentary) is fascinating. The 90s New York club kid scene was a distinctive period with many crazy sights and scenes. Unfortunately, this film is poorly made on just about every level.
Most of the acting is not just bad, but some of the worst you'll ever see in a mainstream film. This is exacerbated by poor directing. The dramatic scenes don't feel dramatic (I yawned as one character nearly died). The costumes are very good, about on par with the actual club kids. So the film looks good at least.
Another issue: they changed so much for this movie from the actual story! If you research the actual murder and such after watching this you'll just be confused as to why they made all those arbitrary changes. I certainly wasn't to make a great film. Many people like this film, but I suspect deep down they want to live in the 90s club kid scene, and aren't objectively judging the film for its merits.
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The material here (covered in a similarly named documentary) is fascinating. The 90s New York club kid scene was a distinctive period with many crazy sights and scenes. Unfortunately, this film is poorly made on just about every level.
Most of the acting is not just bad, but some of the worst you'll ever see in a mainstream film. This is exacerbated by poor directing. The dramatic scenes don't feel dramatic (I yawned as one character nearly died). The costumes are very good, about on par with the actual club kids. So the film looks good at least.
Another issue: they changed so much for this movie from the actual story! If you research the actual murder and such after watching this you'll just be confused as to why they made all those arbitrary changes. I certainly wasn't to make a great film. Many people like this film, but I suspect deep down they want to live in the 90s club kid scene, and aren't objectively judging the film for its merits.