As a series of strange and violent events begin to occur, an alcoholic policeman realizes that he has been turned into a werewolf as part of a larger plan.
We consulted IMDb's Highest-Rated Action-Family Films to came up with 10 scene-stealing action figures your kids can relate to, look up to, and be inspired by.
Barry is a talented mechanic and family man whose life is torn apart on the eve of a zombie apocalypse. His sister, Brooke, is kidnapped by a sinister team of gas-mask wearing soldiers & ... See full summary »
Director:
Kiah Roache-Turner
Stars:
Jay Gallagher,
Bianca Bradey,
Leon Burchill
Kylie Bucknell is forced to return to the house she grew up in when the court places her on home detention. Her punishment is made all the more unbearable by the fact she has to live there ... See full summary »
Director:
Gerard Johnstone
Stars:
Morgana O'Reilly,
Rima Te Wiata,
Glen-Paul Waru
Still on the run from a group of Nazi zombies, a man seeks the aid of a group of American zombie enthusiasts, and discovers new techniques for fighting the zombies.
A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man who claims he can prove that monsters are indeed real.
65 years after a masked serial killer terrorized the small town of Texarkana, the so-called 'moonlight murders' begin again. Is it a copycat or something even more sinister? A lonely high school girl, with dark secrets of her own, may be the key to catching him.
Director:
Alfonso Gomez-Rejon
Stars:
Addison Timlin,
Veronica Cartwright,
Anthony Anderson
When podcaster Wallace Bryton goes missing in the backwoods of Manitoba while interviewing a mysterious seafarer named Howard Howe, his best friend Teddy and girlfriend Allison team with an ex-cop to look for him.
Director:
Kevin Smith
Stars:
Justin Long,
Michael Parks,
Haley Joel Osment
It's not unusual for alcoholic cop Lou to black out and wake up in unfamiliar surroundings, but lately things have taken a turn for the strange...and hairy. WolfCop is the story of one cop's quest to become a better man. One transformation at a time. Written by
Anonymous
The main character's name, Lou Garou, is also the name of the werewolf located near the swamps in French folklore. Lougarou (also called Rougarou) is a common mythical creature in French Louisiana folktales. See more »
Goofs
While taking notes in the bar, Lou switches from being right handed in long shots, to left handed in close ups. See more »
Another b-movie! Yet again I found myself watching one of those movies where almost everyone looks aghast, asking themselves: "Why?" And then there's me. 'Cause it's about a cop. That's a wolf. That kills bad guys. Who are shapeshifters. And have a kind of satanic cult. With a soundtrack composed by RidingEasy Records (the heavy psych / fuzz label that signed awesome bands like Black Prism, Salem's Pot, Electric Citizen, Albino Python and The Picturebooks and (re-)released tapes of Saint Vitus, Graveyard, Witchcraft and Orchid). Oh, and it has tons of blood, gore and splatter. And to top it all off, it has an awesome looking werewolf reminiscent of those in Werewolves on Wheels, not that over-stylized Twilight stuff. I can keep on going. The only question to ask yourself is: "Why not?" This is the sort of movie that's the ultimate kind of entertainment for me. Compared to Hollywood this Canadian movie is low budget, but don't be fooled, the total cost still is around 700.000. However, when you see the trailer of that other, insanely stupid looking, Canadian werewolf movie Wolves (which actually will get a theatrical release in Belgium) and know that one cost almost 15 million euro's, one can wonder why WolfCop doesn't suffice. To throw in some other numbers: the Danish werewolf (art)movie When Animals Dream had a budget of around 2.5 million euro's and the latest American blockbuster about werewolves (The Wolfman, 2010) cost 123 million euro's. I only want to point out the ridiculous waste of money when it comes to some movies. If an entertaining movie (WolfCop) costs 700.000 and a more highbrow movie (When Animals Dream) costs 2.5 million, isn't that enough? Why must entertainment be funded by such capital when it can be made with much less? Such capital prevents true creative freedom, 'cause money is restrictive, not liberating. Above all, it's not that this kind of capital is needed for technical progress, 'cause we're not looking at themes like in Avatar, Gravity or Interstellar. This is horror. Pictures like Wolves and The Wolfman are redundant and therefor waste. We need a wolfcop to prevent this crap from happening in the future!
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Another b-movie! Yet again I found myself watching one of those movies where almost everyone looks aghast, asking themselves: "Why?" And then there's me. 'Cause it's about a cop. That's a wolf. That kills bad guys. Who are shapeshifters. And have a kind of satanic cult. With a soundtrack composed by RidingEasy Records (the heavy psych / fuzz label that signed awesome bands like Black Prism, Salem's Pot, Electric Citizen, Albino Python and The Picturebooks and (re-)released tapes of Saint Vitus, Graveyard, Witchcraft and Orchid). Oh, and it has tons of blood, gore and splatter. And to top it all off, it has an awesome looking werewolf reminiscent of those in Werewolves on Wheels, not that over-stylized Twilight stuff. I can keep on going. The only question to ask yourself is: "Why not?" This is the sort of movie that's the ultimate kind of entertainment for me. Compared to Hollywood this Canadian movie is low budget, but don't be fooled, the total cost still is around 700.000. However, when you see the trailer of that other, insanely stupid looking, Canadian werewolf movie Wolves (which actually will get a theatrical release in Belgium) and know that one cost almost 15 million euro's, one can wonder why WolfCop doesn't suffice. To throw in some other numbers: the Danish werewolf (art)movie When Animals Dream had a budget of around 2.5 million euro's and the latest American blockbuster about werewolves (The Wolfman, 2010) cost 123 million euro's. I only want to point out the ridiculous waste of money when it comes to some movies. If an entertaining movie (WolfCop) costs 700.000 and a more highbrow movie (When Animals Dream) costs 2.5 million, isn't that enough? Why must entertainment be funded by such capital when it can be made with much less? Such capital prevents true creative freedom, 'cause money is restrictive, not liberating. Above all, it's not that this kind of capital is needed for technical progress, 'cause we're not looking at themes like in Avatar, Gravity or Interstellar. This is horror. Pictures like Wolves and The Wolfman are redundant and therefor waste. We need a wolfcop to prevent this crap from happening in the future!