A worldly ambitious monsignor clashes with his older brother, a cynical Los Angeles homicide detective who is investigating the brutal murder of a young prostitute.
Director:
Ulu Grosbard
Stars:
Robert De Niro,
Robert Duvall,
Charles Durning
Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro). The drama spans from ... See full summary »
Director:
Bernardo Bertolucci
Stars:
Robert De Niro,
Gérard Depardieu,
Dominique Sanda
Eddie is a very rich man who has everything he wants; money, family, success, but a car crash causes him to reevaluate the life he leads. Searching for the happiness he lost, he remembers ... See full summary »
David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Director:
Irwin Winkler
Stars:
Robert De Niro,
Annette Bening,
George Wendt
An egotistical saxophonist and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long, up-hill climb.
Director:
Martin Scorsese
Stars:
Liza Minnelli,
Robert De Niro,
Lionel Stander
A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both... See full summary »
An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the ... See full summary »
Director:
Brian De Palma
Stars:
Jonathan Warden,
Robert De Niro,
Gerrit Graham
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
When Robert De Nero as Stahr enters his residence for the first time, he refers to his Butler as "Kino", which is the actor's real last name. See more »
Quotes
Fleishacker:
You know, I'm fairly new out here. Do I understand you to say you expect to gross a half a million *short* of your budget?
Monroe Stahr:
It's a quality picture.
Fleishacker:
Quality picture? What the hell are we?
Monroe Stahr:
We've played safe for two years now. It's time we made a picture that isn't meant to *make* money. Pat Brady is always saying at Academy dinners that we have a certain duty to the public. Okay. It's a good thing for the company to slip in a picture that will lose money. Write it off as good will.
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After reading the book (and Fitzgerald's notes about how he saw the story progressing) I expected high quality from Kazan's film treatment. Much has been made of his decision to have an almost comatose Monroe Stahr, unable to express emotion on anything but movies, and in this I think he partly succeeded. But the film as a whole irritates me. It's one I've gone back to several times and I can't work out why it has that effect. It just does. In relation to the book, some scenes are pretty much verbatim, some are added to, some are ditched altogether, there just seems no reasoning behind it. The plusses - it has an interesting ending and an equally interesting supporting cast of old timers, most of whom are always worth watching. It has a certain amount of style and character of its own. It's just not that easy to enjoy, IMO.
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After reading the book (and Fitzgerald's notes about how he saw the story progressing) I expected high quality from Kazan's film treatment. Much has been made of his decision to have an almost comatose Monroe Stahr, unable to express emotion on anything but movies, and in this I think he partly succeeded. But the film as a whole irritates me. It's one I've gone back to several times and I can't work out why it has that effect. It just does. In relation to the book, some scenes are pretty much verbatim, some are added to, some are ditched altogether, there just seems no reasoning behind it. The plusses - it has an interesting ending and an equally interesting supporting cast of old timers, most of whom are always worth watching. It has a certain amount of style and character of its own. It's just not that easy to enjoy, IMO.