When a presidential candidate dies unexpectedly in the middle of the campaign, Washington, D.C. alderman, Mays Gilliam is unexpectedly picked as his replacement.
Chris Rock brings his critically acclaimed brand of social commentary-themed humor to this 1999 standup comedy presentation from HBO. Also released as an album, Chris Rock: Bigger & Blacker... See full summary »
Aging baseball star who goes by the nickname, Mr. 3000, finds out many years after retirement that he didn't quite reach 3,000 hits. Now at age 47 he's back to try and reach that goal.
Director:
Charles Stone III
Stars:
Bernie Mac,
Angela Bassett,
Michael Rispoli
Are you ready for Rock? Actor/director/comedian Chris Rock performs a gutbusting set in this stand-up special taped before a live audience at Constitution Hall in Washington, D.C.
Mays Gilliam, a Washington D.C. neighborhood Alderman, is about to be red-lined out of his job. But after the untimely death of the party frontrunner, Gilliam is plucked from obscurity, and thrust into the limelight as his party's nominee--for President of the United States. The players in Gilliam's life include: Mitch Gilliam, his unsophisticated older brother who becomes his running mate; Kim, his ex-girlfriend who had once dumped him, but who now has a sudden change of heart as she sees a chance at becoming First Lady; Martin Geller, his campaign manager; Lisa Clark, the woman who truly believes in Gilliam; and Debra Lassiter, the woman who doesn't have faith in his candidacy, and is serving as his reluctant advisor. Written by
Sujit R. Varma
Florida State Trooper Vehicles are two-toned with a cream color on the rear and black on the front. There also is no shield on either of the doors. See more »
The real, angry Chris Rock doesn't put in an appearance until the final moments of this political satire (directed and co-written by Rock) but it's not enough to rescue what has come before. Rock's fantasy of being the first African-American to achieve the White House (although he's initially set up to fail by spin doctors Dylan Baker and a surprisingly funny Lynn Whitfield) is somewhat toothless by Rock's own standards. The problem is his altered perception of himself as a film star (as opposed to the established HBO black equivalent of Dennis Miller): he phonily positions himself from the onset as cuddly, concerned for the constituents of the ward he's an alderman for and reasonably ignorant of national issues; he's finally allowed to become self-aware only when his older brother (the always welcome Bernie Mac) intercedes. You keep waiting for Rock to change but when he does, it's first into a playa that comes up with glib quips in response to standard questions. (With barely a mention of foreign policy, they seem a bit stale). Only in the final debate against his opponent (Nick Searcy) does he let loose with some honesty and only then do the jokes carry some weight. Rock, making his directorial debut, opts for the equivalent of a made-for-TV movie with a flat look, very mild gags (there are not nearly enough white fright jokes but there is a fundraiser that turns into a dance party with elderly WASPs doing the electric slide, and opening credits that state Jesse Jackson, Al Sharpton, George Bush and Hillary Clinton, among others, `are not in this movie') and very little interest in being taken seriously. Warren Beatty covered this turf far more handily in `Bulworth'. With Tamala Jones as his love interest, Robin Givens (cleverly cast as a gold digger) and, unfortunately, only a couple of bits from Tracy Morgan.
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The real, angry Chris Rock doesn't put in an appearance until the final moments of this political satire (directed and co-written by Rock) but it's not enough to rescue what has come before. Rock's fantasy of being the first African-American to achieve the White House (although he's initially set up to fail by spin doctors Dylan Baker and a surprisingly funny Lynn Whitfield) is somewhat toothless by Rock's own standards. The problem is his altered perception of himself as a film star (as opposed to the established HBO black equivalent of Dennis Miller): he phonily positions himself from the onset as cuddly, concerned for the constituents of the ward he's an alderman for and reasonably ignorant of national issues; he's finally allowed to become self-aware only when his older brother (the always welcome Bernie Mac) intercedes. You keep waiting for Rock to change but when he does, it's first into a playa that comes up with glib quips in response to standard questions. (With barely a mention of foreign policy, they seem a bit stale). Only in the final debate against his opponent (Nick Searcy) does he let loose with some honesty and only then do the jokes carry some weight. Rock, making his directorial debut, opts for the equivalent of a made-for-TV movie with a flat look, very mild gags (there are not nearly enough white fright jokes but there is a fundraiser that turns into a dance party with elderly WASPs doing the electric slide, and opening credits that state Jesse Jackson, Al Sharpton, George Bush and Hillary Clinton, among others, `are not in this movie') and very little interest in being taken seriously. Warren Beatty covered this turf far more handily in `Bulworth'. With Tamala Jones as his love interest, Robin Givens (cleverly cast as a gold digger) and, unfortunately, only a couple of bits from Tracy Morgan.