Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ... See full summary »
In 1927, in Kingdom County, Vermont, a large dam is to be built; however, Noel Lord, a logger and cedar-oil harvester, won't give up his lifetime lease on land that will be flooded. The dam... See full summary »
A New York film director, working on his latest movie in Los Angeles, begins to reflect the actions in his movie and real life, especially when he begins an affair with the lead actress.
This musical is based on four short stories by Damon Runyon. In one tale, gambler Feet Samuels sells his body to science just as he realizes that Hortense loves him and that he would rather... See full summary »
The siblings Patty and Joe Rasnick live in an industrial suburb in Cleveland, Ohio. While Patty is focused on their rock band, The Barbusters, Joe also cares for the family and the ... See full summary »
Internationally acclaimed novelist Paul Auster ("New York Trilogy", "The Book of Illusions", "Man in the Dark") explores the art of writing in the darkly comical THE INNER LIFE OF MARTIN ... See full summary »
Director:
Paul Auster
Stars:
David Thewlis,
Irène Jacob,
Michael Imperioli
Glendon Wasey is a fortune hunter looking for a fast track out of China. Gloria Tatlock is a missionary nurse seeking the curing powers of opium for her patients. Fate sets them on a hectic... See full summary »
The story of Hong Kong, from New Year's Day to June 30th, 1997, when the British left their colony and turned it over to the People's Republic of China.
Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential humanity. Many of the same characters inhabiting Auggie Wren's Brooklyn Cigar Store in Smoke return here to expound on their philosophy of smoking, relationships, baseball, New York, and Belgian Waffles. Most of all, this is a movie about living life, off-the-cuff. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Filmed in just five days, using the same set and much of the same cast as Smoke (1995). The premise of the film came to directors Wayne Wang and Paul Auster while watching an improvisation session between Harvey Keitel et. al. to help them get into character for filming Smoke (1995). They decided that the improvisations were so funny that they would spend a few days after shooting Smoke just filming film is almost entirely improvised. Auster and Wang claim to have "borrowed" the idea of shooting another movie on the back of an existing one from Roger Corman who often used to shoot movies very quickly on leftover sets from other productions. See more »
Goofs
Dot bolts the store door to talk with Auggie, then leaves without unlocking it. See more »
Quotes
Man with Strange Glasses:
I don't know anyone in New York who doesn't say 'I'm leaving'. I've been thinking of leaving New York for... uh... thirty-five years now.
See more »
Crazy Credits
Situations Created in collaboration with THE ACTORS See more »
Take Me Out To The Ballgame
Written by Albert von Tilzer and Jack Norworth
Published by Broadway Music and Beinstock Publishing Co. on behalf of Redwood Music Ltd. (ASCAP) See more »
Blue in the face might be boring to many because it doesn't follow a standard hollywood paradigm of rising action, climax, resolve. It is more documentary style, although fictitious, and quickly jumps from story to story and character to character. The editing is an interesting component because it successfully brings together disparate themes and characters (who are improvising their lines and stories to some degree). This and some fantastical elements provide a very romanticized view of Brooklyn. Altogether a cohesive piece with some nice performances and some insight into what it is to growup and live in a special loved place.
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Blue in the face might be boring to many because it doesn't follow a standard hollywood paradigm of rising action, climax, resolve. It is more documentary style, although fictitious, and quickly jumps from story to story and character to character. The editing is an interesting component because it successfully brings together disparate themes and characters (who are improvising their lines and stories to some degree). This and some fantastical elements provide a very romanticized view of Brooklyn. Altogether a cohesive piece with some nice performances and some insight into what it is to growup and live in a special loved place.