A quadriplegic man has a trained monkey help him with his paralysis, until the little monkey begins to develop feelings, and rage, against its new master.
A young man, who believes himself to be a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges.
Director:
George A. Romero
Stars:
John Amplas,
Lincoln Maazel,
Christine Forrest
A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
The military attempts to contain a manmade combat virus that causes death and permanent insanity in those infected, as it overtakes a small Pennsylvania town.
Director:
George A. Romero
Stars:
Lane Carroll,
Will MacMillan,
Harold Wayne Jones
A small boy abandoned in the jungle and raised by a benevolent group of apes slowly begins to realize that he isn't quite like the rest of his primate family in this touching meditation on the bond shared between man and beast.
When Allan becomes a quadriplegic he loses all hope for living until he meets Ella - a monkey trained to fetch and carry for him around the house, obeying him in all things. But Ella is part of another experiment, and when she starts responding to Allan's underlying rage and frustration she has the ability to carry our her master's darkest wishes. Written by
David Carroll <davidc@atom.ansto.gov.au>
This is one of the few films in cinema history to feature a male monkey. See more »
Goofs
Ella urinates on Allan as a sign of mating, but it's actually the male capuchin who urinates on it's mate. This would suggest that Ella is in fact a male capuchin. See more »
If you're looking for body count, blood, or bogeymen, this film is not for you. It is more of a psychological thriller than a horror film, though it was billed as horror, likely because of the pseudo-science gimmick that provides the basis for the conflict in the plot.
While the film tends to wander a bit (i.e. a sub-plot involving the research head that gets dropped 3/4 of the way through) it stays fairly well focused on the main character and his problems. Aside from the lead, the most effective acting was done by the monkey(s), but the "real" actors do a pretty good job of carrying their own. It gives you a little insight into what it's like to be quadriplegic. For a late 80's movie, the style of filming was well done, there is very little cheese, and the special effects didn't overreach.
The premise seems a bit farfetched to our currently more sophisticated and informed sense of what's possible on the genetic engineering front. After all, this movie was made 15 years ago. If Romero had gone with either a supernatural cause or a plain animal jealousy angle, it might be less dated, but then again it might have been a little less believable to begin with.
Not very horrific, not startling or scary, but worth seeing if you don't mind a slightly slow-paced thriller. I gave it a higher than average score (6 out of 10) just because it didn't make me say "oh, please!" too many times unlike other movies from that time--particularly horror films--are prone to do. For example, the pivotal moment is fully supported by plausible input earlier in the film, it's not one of those miraculous developments pulled out of nowhere in the last few seconds before the climax.
7 of 10 people found this review helpful.
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If you're looking for body count, blood, or bogeymen, this film is not for you. It is more of a psychological thriller than a horror film, though it was billed as horror, likely because of the pseudo-science gimmick that provides the basis for the conflict in the plot.
While the film tends to wander a bit (i.e. a sub-plot involving the research head that gets dropped 3/4 of the way through) it stays fairly well focused on the main character and his problems. Aside from the lead, the most effective acting was done by the monkey(s), but the "real" actors do a pretty good job of carrying their own. It gives you a little insight into what it's like to be quadriplegic. For a late 80's movie, the style of filming was well done, there is very little cheese, and the special effects didn't overreach.
The premise seems a bit farfetched to our currently more sophisticated and informed sense of what's possible on the genetic engineering front. After all, this movie was made 15 years ago. If Romero had gone with either a supernatural cause or a plain animal jealousy angle, it might be less dated, but then again it might have been a little less believable to begin with.
Not very horrific, not startling or scary, but worth seeing if you don't mind a slightly slow-paced thriller. I gave it a higher than average score (6 out of 10) just because it didn't make me say "oh, please!" too many times unlike other movies from that time--particularly horror films--are prone to do. For example, the pivotal moment is fully supported by plausible input earlier in the film, it's not one of those miraculous developments pulled out of nowhere in the last few seconds before the climax.