Cast overview, first billed only: | |||
Joseph Cotten | ... | ||
Dolores del Rio | ... |
Josette Martel
(as Dolores Del Rio)
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Ruth Warrick | ... |
Mrs. Stephanie Graham
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Agnes Moorehead | ... |
Mrs. Mathews
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Jack Durant | ... |
Gogo Martel
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Everett Sloane | ... |
Kopeikin
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Eustace Wyatt | ... |
Prof. Haller /
Muller
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Frank Readick | ... |
Matthews
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Edgar Barrier | ... |
Kuvetli
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Jack Moss | ... |
Peter Banat
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Stefan Schnabel | ... |
Translator for ships captain
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Hans Conried | ... |
Swami Magician
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Robert Meltzer | ... |
Ship baggageman
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Richard Bennett | ... |
Ship's Captain
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Orson Welles | ... |
A Navy engineer, returning to the U.S. with his wife from a conference, finds himself pursued by Nazi agents, who are out to kill him. Without a word to his wife, he flees the hotel the couple is staying in and boards a ship, only to find, after the ship sails, that the agents have followed him. Written by Albert Sanchez Moreno <a.moreno@mindspring.com>
Not the noir masterpiece we've come to expect with the likes of Welles and Cotton in the cast, but still an engaging film with cleverly shot scenes, witty dialog, and suspense. Joseph Cotton plays Howard Graham; an American armaments engineer in the midst of a deal designed to supply Turkey, a U.S. ally, with weapons to fight the axis. The axis, in particular the nazi's, have other ideas and are determined to prevent Graham from reaching the shores of the U.S. to seal the deal. During a magician's act at a club in the heart of Istanbul, a hit man mistakenly kills the magician instead of graham - or was it really a mistake? Graham is immediately questioned by the head of the Turkish secret police Colonel Haki (played with joyful exuberance by Welles) and for his protection, and the interests of the Turkish military, is put on a ship deemed the "safest" route back to the U.S. Of course this is not the case and the ship is filled with a cast of menacing characters, many not what or whom they seem. JOURNEY INTO FEAR is most enjoyable for its humorous subplots that are eluded to, but never explicitly. When Graham had to suddenly disappear he left behind a wife, and Colonel Haki has taken upon himself the duty to inform her of the crisis but elects to mislead, indirectly suggesting that Graham is a womanizer, with the possible objective to seduce her in this weakened state. "What's to become of me?" She asks. "We'll think of something." Is Haki's coy reply. And so it goes.