A journalist witnesses a brutal murder in a neighboring apartment, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise.
Director:
Brian De Palma
Stars:
Paul Williams,
William Finley,
Jessica Harper
A movie sound recordist accidentally records the evidence that proves that a car accident was actually murder and consequently finds himself in danger.
Jenny Nix, wife of eminent child psychologist Carter Nix, becomes increasingly concerned about her husband's seemingly obsessive concern over the upbringing of their daughter. Her own ... See full summary »
Director:
Brian De Palma
Stars:
John Lithgow,
Lolita Davidovich,
Steven Bauer
A young businessman goes to a magic expert to learn hardness and skill with his cynical and greedy collaborators. He becomes a very good tap dancer, but will he be able to get free of his old boss?
An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the ... See full summary »
Director:
Brian De Palma
Stars:
Jonathan Warden,
Robert De Niro,
Gerrit Graham
Naive young lady Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the ... See full summary »
The Staten Island apartment of lovely model Danielle becomes the scene of a grisly murder that is witnessed by her neighbor, Grace, a reporter. But the police don't believe her story, so it's up to Grace to solve the murder mystery on her own. Written by
alarmanwp
While the majority of the film was shot on 35mm film, the dream sequence was shot on 16mm film to give it a more gritty atmospheric appearance. See more »
Goofs
After Grace leaves her mother and gets into the phone booth to call a newspaper office, a cameraman and a moving camera are reflected in the shiny part of the phone, and the glass door of the booth. See more »
Quotes
Crazy Woman:
Did you know that the germs can come through the wires? I never call and I *never* answer. It's a good way to get sick. Very, very sick... That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!
See more »
The first time I viewed it was in 2003, on cable television. Considering that it was a Brian DePalma film, I was expecting something interesting and suspenseful. I really enjoyed his films BLOW-OUT(1981), and THE UNTOUCHABLES(1987). Here were two films where he demonstrated his effective use of creating suspense that was more integral to the plot. After recently re-watching his 1973 shocker, SISTERS, my opinion of him has been unchanged.
Sure, maybe there are things about it, such as visuals and styles,that are extremely similar to Hitchcock, but I thought that this movie was completely original story wise. The opening sequence is very cleverly played out so that you don't quite know what you're going to watch and by the end you are surprised by the direction it takes. The story involves a woman who says that her identical twin sister lives with her and is apparently crazy.
This may ring a bell with Hitchcock fans as sounding a little too familiar and indeed it does as there are very similar events that somewhat mirror scenes from his films. Before long, an innocent man is murdered and we are immediately introduced to a woman reporter who believes that there is something amiss. Afterward, the movie gets very creative with some of the strangest characters. The film also ends with a weird twist that seems to have some sci-fi overtones to it.
Despite being a little twisted and confusing toward the end, the film is very well made and effectively scary. I wouldn't recommend the film to people who don't really like thinking during movies as this film has an ending that leaves a confusing plothole behind. It is the kind of plot hole that was left in too obviously to be done on accident. But I guess that's part of the charm of DePalma. All of his films offer something similar in the suspense element, but different in every other way.
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The first time I viewed it was in 2003, on cable television. Considering that it was a Brian DePalma film, I was expecting something interesting and suspenseful. I really enjoyed his films BLOW-OUT(1981), and THE UNTOUCHABLES(1987). Here were two films where he demonstrated his effective use of creating suspense that was more integral to the plot. After recently re-watching his 1973 shocker, SISTERS, my opinion of him has been unchanged.
Sure, maybe there are things about it, such as visuals and styles,that are extremely similar to Hitchcock, but I thought that this movie was completely original story wise. The opening sequence is very cleverly played out so that you don't quite know what you're going to watch and by the end you are surprised by the direction it takes. The story involves a woman who says that her identical twin sister lives with her and is apparently crazy.
This may ring a bell with Hitchcock fans as sounding a little too familiar and indeed it does as there are very similar events that somewhat mirror scenes from his films. Before long, an innocent man is murdered and we are immediately introduced to a woman reporter who believes that there is something amiss. Afterward, the movie gets very creative with some of the strangest characters. The film also ends with a weird twist that seems to have some sci-fi overtones to it.
Despite being a little twisted and confusing toward the end, the film is very well made and effectively scary. I wouldn't recommend the film to people who don't really like thinking during movies as this film has an ending that leaves a confusing plothole behind. It is the kind of plot hole that was left in too obviously to be done on accident. But I guess that's part of the charm of DePalma. All of his films offer something similar in the suspense element, but different in every other way.