An adventure set in the early part of the 20th century and focused on a popular novelist and her dealings with would-be suitors, the cops, monsters, and other distractions.
Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating ... See full summary »
Director:
Luc Besson
Stars:
Christopher Lambert,
Isabelle Adjani,
Richard Bohringer
Enzo and Jacques have known each other for a long time. Their friendship started in their childhood days in the Mediterranean. They were not real friends in these days, but there was ... See full summary »
Director:
Luc Besson
Stars:
Jean-Marc Barr,
Jean Reno,
Rosanna Arquette
She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn't... See full summary »
Director:
Rémi Bezançon
Stars:
Louise Bourgoin,
Pio Marmaï,
Josiane Balasko
Atmospheric soundtrack follows this compilation of nature footage that focuses on the Atlantic ocean and various life forms that live, mate and die in it.
In the post-apocalyptic future, only a few humans are left. No one is able to speak; the film contains no dialogue, and characters communicate non-verbally. A determined loner befriends a ... See full summary »
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he ... See full summary »
Extensive compilation of clips, interviews, TV appearances and other media excerpts that feature Serge Gainsbourg, one of France's greatest 20th century singers and artists.
Desperate to cure her near catatonic sister, intrepid authoress Adèle Blanc-Sec braves ancient Egyptian tombs and modern Egyptian lowlife to locate a mummified doctor and get him back to Paris. Her hope is that oddball Professor Espérandieu will then use his unusual powers to bring the doctor back to life so he, in turn, can use his centuries-old skills on the unfortunate sister. In Paris however Espérandieu is already causing mayhem, having brought to life what was a safe museum egg but is now a very active pterodactyl. Paris 1911 may not be the healthiest place to be. Written by
Jeremy Perkins {J-26}
The archaeological, action/adventure genre has become increasingly formulaic under Hollywood guidance since its rise to popularity. Conventions inspired by the Indiana Jones films have been adhered to for almost twenty years, with any exceptions failing to break into mainstream Hollywood cinema. However, similarly to his previous work of science-fiction innovation, THE FIFTH ELEMENT, Luc Besson has once again stamped his own authorship onto a popular Hollywood genre.
Unfortunately, whilst the film may be innovative in some respects, it closely upholds many tired stereotypes and immature comedy devices that feel beneath such an esteemed director. One particular scene in which the blundering, Jacques-Clouseau-style police inspector is defecated on really encapsulates the low level to which Besson stoops for comedy at various points in this film. Occasionally descending into unforgivable absurdity, THE EXTRAORDINARY ADVENTURES OF ADÈLE BLANC-SEC is most definitely a flawed work.
However, with the exception of the aforementioned scenes, this is certainly an enjoyable and very amusing film. Visually, the film is as impressive as any other Besson delivering a triumph of colour and light, framing his shots with beautiful precision and delicacy. Most impressively however is Louise Bourgoin's strength as Besson's Adèle, helping retain much of its intended offbeat charm. The film is essentially entrusted to her and, fortunately, she manages to balance the many aspects of her talented yet vulnerable heroine with particular skill.
Despite a variety of shortcomings, THE EXTRAORDINARY ADVENTURES OF ADÈLE BLANC-SEC is a pleasing and enjoyable film, and certainly rivals Besson's previous works. 4 out of 5
Cambridge Film Festival Daily
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The archaeological, action/adventure genre has become increasingly formulaic under Hollywood guidance since its rise to popularity. Conventions inspired by the Indiana Jones films have been adhered to for almost twenty years, with any exceptions failing to break into mainstream Hollywood cinema. However, similarly to his previous work of science-fiction innovation, THE FIFTH ELEMENT, Luc Besson has once again stamped his own authorship onto a popular Hollywood genre.
Unfortunately, whilst the film may be innovative in some respects, it closely upholds many tired stereotypes and immature comedy devices that feel beneath such an esteemed director. One particular scene in which the blundering, Jacques-Clouseau-style police inspector is defecated on really encapsulates the low level to which Besson stoops for comedy at various points in this film. Occasionally descending into unforgivable absurdity, THE EXTRAORDINARY ADVENTURES OF ADÈLE BLANC-SEC is most definitely a flawed work.
However, with the exception of the aforementioned scenes, this is certainly an enjoyable and very amusing film. Visually, the film is as impressive as any other Besson delivering a triumph of colour and light, framing his shots with beautiful precision and delicacy. Most impressively however is Louise Bourgoin's strength as Besson's Adèle, helping retain much of its intended offbeat charm. The film is essentially entrusted to her and, fortunately, she manages to balance the many aspects of her talented yet vulnerable heroine with particular skill.
Despite a variety of shortcomings, THE EXTRAORDINARY ADVENTURES OF ADÈLE BLANC-SEC is a pleasing and enjoyable film, and certainly rivals Besson's previous works. 4 out of 5
Cambridge Film Festival Daily