James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, ... See full summary »
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
A radical American journalist becomes involved with the Communist revolution in Russia and hopes to bring its spirit and idealism to the United States.
Director:
Warren Beatty
Stars:
Warren Beatty,
Diane Keaton,
Edward Herrmann
A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.
Director:
Bob Rafelson
Stars:
Jack Nicholson,
Karen Black,
Billy Green Bush
Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His ... See full summary »
The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
Director:
Mike Nichols
Stars:
Jack Nicholson,
Candice Bergen,
Ann-Margret
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <as.idc@forsythe.stanford.edu>
When Aaron and Tom are talking at the party, Tom claims that he would never pretend to know more than he really did. A few moments later Aaron shows him up as a fraud when he asks if Tom can name all the members of the President's cabinet. When Tom claims to know all the names, Aaron asks him "All twelve?". When Tom answers yes, Aaron delivers the 'gotcha' comeback "There's only ten." In fact there were 13 cabinet secretaries at the time the movie was made (the secretaries of State, Treasury, Defense, Interior, Agriculture, Commerce, Labor, Health & Human Services, Housing & Urban Development, Transportation, Energy, and Education, and the Attorney General). Since the film's release, two more secretaries have been added (Veteran's Affairs and Homeland Security). See more »
Quotes
Bill Rorich:
This is a brutal layoff. And all because they couldn't program Wednesday nights.
Paul Moore:
You can make it less brutal by knocking a million or so off your salary... Bad joke, I'm sorry.
See more »
Crazy Credits
Albert Brooks' singing of "L'Edition Speciale" from the film also briefly appears in the end credits. See more »
Essential viewing for anyone who watches TV news as it may help to become a little more sceptical, or even cynical. On a personal note I recall taking a course some years ago about being interviewed for TV - what to do, what not to do. The course instructors impressed on us that TV news was a "branch of show-biz". That depressing view, which is probably even more valid today than when it was made, is reinforced by this film. Never mind journalistic integrity, what counts is the ability to look good and smile nicely. And make sure you don't sweat on camera.
The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.
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Essential viewing for anyone who watches TV news as it may help to become a little more sceptical, or even cynical. On a personal note I recall taking a course some years ago about being interviewed for TV - what to do, what not to do. The course instructors impressed on us that TV news was a "branch of show-biz". That depressing view, which is probably even more valid today than when it was made, is reinforced by this film. Never mind journalistic integrity, what counts is the ability to look good and smile nicely. And make sure you don't sweat on camera.
The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.