Napoleon's tumultuous relations with Russia including his disastrous 1812 invasion serve as the backdrop for the tangled personal lives of two aristocratic families.
Eight-hour epic based on the book of the same name by Leo Tolstoy. Two main story-lines are complex and intertwined. One is the love story of young Countess Natasha Rostova and Count Pierre... See full summary »
After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Director:
Billy Wilder
Stars:
Gary Cooper,
Audrey Hepburn,
Maurice Chevalier
When a measles epidemic forces the temporary closing of a child care center, the son of a film star and her estranged husband, a concert pianist, is mistakenly delivered to a touring musician.
Directors:
Jean Boyer,
Lester Fuller
Stars:
Audrey Hepburn,
Jules Munshin,
Cara Williams
By 1812, Napoleon's forces controlled much of Europe. Russia, one of the few countries still unconquered, prepares to face Napoleon's troops together with Austria. Among the Russian soldiers are Count Nicholas Rostov and Prince Andrei Bolkonsky. Count Pierre Bezukhov, a friend of Andrei's and self-styled intellectual who is not interested in fighting. Pierre's life changes when his father dies, leaving him a vast inheritance. He is attracted to Natasha Rostov, Nicholas's sister, but she is too young, so he gives in to baser desires and marries the shallow, manipulative Princess Helene. The marriage ends when Pierre discovers his wife's true nature. Andrei is captured and later released by the French, and returns home only to watch his wife die in childbirth. Months later, Pierre and Andrei meet again. Andrei sees Natasha and falls in love, but his father will only permit the marriage if they postpone it for one year until Natasha turns 17. While Andrei is away on a military mission, ... Written by
alfiehitchie
In the first battle, Prince Andrei dismounts to take the flag of the shot soldier who is holding it. Then the wounded soldier kneels twice. See more »
Quotes
Gen. Kutuzov:
[to himself]
Time and patience. Patience and time. The Grand Army is wounded, but is it mortally wounded? An apple should not be plucked while it's green. Patience and time.
See more »
Crazy Credits
Closing credits epilogue: The most difficult thing - but an essential one - is to love Life, to love it even while one suffers, because Life is all. Life is God, and to love Life means to love God. Tolstoy "WAR and PEACE" See more »
This film version of Tolstoy's novel nicely captures the essence of his story. The VistaVision, Technicolor photography by Jack Cardiff give the the set pieces the look of a classic painting. Nino Rota's lavish score perfectly compliments the visuals. The casting is superb; and even though Fonda is physically wrong in the critical role of Pierre, his dignified persona makes up for it. Hepburn, as ever, is radiant as Natasha, and hits her marks perfectly. Anita Ekberg's superstructure alone brings Helene to life; Ferrer, Homolka and Mills are all, likewise, wonderful in this. The largely underappreciated Herbert Lom is absolutely brilliant as Napoleon. Practically speaking, this is a notable film adaptation of an enormous literary work, inspite of any comparisons one would care to make between the book and the movie.
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This film version of Tolstoy's novel nicely captures the essence of his story. The VistaVision, Technicolor photography by Jack Cardiff give the the set pieces the look of a classic painting. Nino Rota's lavish score perfectly compliments the visuals. The casting is superb; and even though Fonda is physically wrong in the critical role of Pierre, his dignified persona makes up for it. Hepburn, as ever, is radiant as Natasha, and hits her marks perfectly. Anita Ekberg's superstructure alone brings Helene to life; Ferrer, Homolka and Mills are all, likewise, wonderful in this. The largely underappreciated Herbert Lom is absolutely brilliant as Napoleon. Practically speaking, this is a notable film adaptation of an enormous literary work, inspite of any comparisons one would care to make between the book and the movie.