The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
This is the hard and shocking story of life in a British Borstal for young offenders. Luckily the regime has changed since this film was made. The brutal regime made no attempt to reform or... See full summary »
This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform... See full summary »
Director:
Alan Clarke
Stars:
Ray Winstone,
David Threlfall,
Martin Phillips
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job ... See full summary »
Director:
Antonia Bird
Stars:
Robert Carlyle,
Ray Winstone,
Steve Sweeney
Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His... See full summary »
Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
Director:
Shane Meadows
Stars:
Martin Arrowsmith,
Dave Blant,
Darren O. Campbell
This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while ... See full summary »
Director:
Stephen Frears
Stars:
Gary Oldman,
Alfred Molina,
Vanessa Redgrave
Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his ... See full summary »
Parallel tales of two sexually obsessed men, one hurting and annoying women physically and mentally, one wandering around the city talking to strangers and experiencing dimensions of life.
Director:
Mike Leigh
Stars:
David Thewlis,
Lesley Sharp,
Katrin Cartlidge
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family. Written by
Gustaf Molin <gustaf.molin@usa.net>
A boom mic is visible in the supermarket parking lot. See more »
Quotes
Ray:
She took his dinner in to him once. Me mum, in the pub, and plonked it in front of him on a tray. Knife and fork, salt and pepper. He said, "What's that?" She said, "It's your dinner. I thought you might be hungry. You ain't eaten for three fucking days. You live in here, you might as well fucking eat in here." It's funny. He didn't like that, did he? Mugged him up in front of his mates. Thought more of them cunts than he did us. Lovely. Yeah. She got a clump over that. Well, she would, ...
[...] See more »
This is a piece of debutant film making at its best.
Oldman set about to create a gritty and colourful portrayal of the rough end of life in Saafff Lhaandan and in that respect he was f**kin sucessfull you bunch ah chaaaants!
The camera work is disjointed and initially appears clumsy, but the expertly chosen angles and focuses soon become enthralling. It is nicely gritty and rough around the edges. Take a special note of the excellent sound design - it really adds to the overall atmosphere of the cityscape Olman so expertly creates.
The narrative progression is pretty much non-existent. Like all realist films its not really about what is happening, but the broader issues exposed by smaller events within the film. These include some brutal moments from Winstone and also some heavy drinking/clubbing binges.
The acting is so good and so believable that I forgot I was watching a film
it is almost a documentary and those not familiar with the actors within
the film may be fooled into thinking that is what they were watching.
Olman also introduces some subtle symbolism (the moment with the red balloon for example) but is never heavy handed or distracting.
Winstone and Burke really are stunning in this film, and the ending is a brilliant piece of ambiguity and hope. CHeck out Winstone's subtle touching moments with his daughter - it brings a tear to the eye.
Classic in the modern sense of the word.
18 of 22 people found this review helpful.
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This is a piece of debutant film making at its best.
Oldman set about to create a gritty and colourful portrayal of the rough end of life in Saafff Lhaandan and in that respect he was f**kin sucessfull you bunch ah chaaaants!
The camera work is disjointed and initially appears clumsy, but the expertly chosen angles and focuses soon become enthralling. It is nicely gritty and rough around the edges. Take a special note of the excellent sound design - it really adds to the overall atmosphere of the cityscape Olman so expertly creates.
The narrative progression is pretty much non-existent. Like all realist films its not really about what is happening, but the broader issues exposed by smaller events within the film. These include some brutal moments from Winstone and also some heavy drinking/clubbing binges.
The acting is so good and so believable that I forgot I was watching a film
- it is almost a documentary and those not familiar with the actors within
the film may be fooled into thinking that is what they were watching.Olman also introduces some subtle symbolism (the moment with the red balloon for example) but is never heavy handed or distracting.
Winstone and Burke really are stunning in this film, and the ending is a brilliant piece of ambiguity and hope. CHeck out Winstone's subtle touching moments with his daughter - it brings a tear to the eye.
Classic in the modern sense of the word.