A detective in post-Katrina New Orleans has a series of surreal encounters with a troop of friendly Confederate soldiers while investigating serial killings of local prostitutes, a 1965 lynching, and corrupt local businessmen.
A retired military investigator works with a police detective to uncover the truth behind his son's disappearance following his return from a tour of duty in Iraq.
Director:
Paul Haggis
Stars:
Tommy Lee Jones,
Charlize Theron,
Jonathan Tucker
The story centers on a year in the life of three men trying to survive a round of corporate downsizing at a major company - and how that affects them, their families, and their communities.
A woman framed for her husband's murder suspects he is still alive; as she has already been tried for the crime, she can't be re-prosecuted if she finds and kills him.
Director:
Bruce Beresford
Stars:
Ashley Judd,
Tommy Lee Jones,
Bruce Greenwood
Experienced Green Beret sergeant Johnny Gallagher is escorting a prisoner, Airborne Ranger Thomas Boyette, back to the US, but Boyette escapes and Gallagher must risk life and limb to catch him.
Director:
Andrew Davis
Stars:
Gene Hackman,
Tommy Lee Jones,
Joanna Cassidy
Three women who have been driven mad by pioneer life are to be transported across the country by covered wagon by the pious, independent-minded Mary Bee Cuddy, who in turn employs low-life drifter George Briggs to assist her.
Director:
Tommy Lee Jones
Stars:
Tommy Lee Jones,
Hilary Swank,
Grace Gummer
In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in ... See full summary »
Director:
Bertrand Tavernier
Stars:
Jacques Gamblin,
Denis Podalydès,
Charlotte Kady
Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before. Written by
anonymous
Told from the perspective of the character Dave Robichaux, who appears in every scene. See more »
Goofs
James Bell Hood is portrayed in a lieutenant general's uniform in the movie. By the time he had attained that rank, he had lost his right leg at the Battle of Chickamauga in 1863. In the movie, the character has both legs. Furthermore, Hood never served in Louisiana during the Civil War, but lived and died in New Orleans after the war. See more »
Quotes
Dave Robicheaux:
Mr. Sykes. You've been drivin' drunk and you come to a cop's house to buy more booze. Why don't you hand those keys to Miss Drummond before you hit the road.
Elrod Sykes:
Hehe hehe. Where's that beer at?
Kelly Drummond:
You're a good man.
Dave Robicheaux:
Yaw'll need to be real careful.
Kelly Drummond:
Elrod's a shitbird, but I love him.
See more »
There aren't too many movies where you find that each and every actor seems realistic, without overplaying his or her part. I definitely have a bias towards moody, dark Louisiana movies with psychotic killers and corruption. This movie has all the virtues of that genre. Tommy Lee Jones is excellent as a worn-out, aging, alcoholic detective (on the wagon) who has a strong moral sense, but cuts corners when he deems it necessary.
John Goodman is so versatile that I didn't recognize him as the same actor who was in The Big Lebowski which I had watched only the day before. The script was so adept that they handled the issues of race relations in what I considered a realistic manner without any preaching. The settings, whether swamps at night, Southern mansions, broken down shacks, or merely country scenery all seemed highly realistic. The editing was excellent. Thus, the timing of most scenes was just right, so there wasn't the problem of boredom.
The only reason I gave the movie an 8 rather than a 10 is that it suffered from too much mumbled dialogue, so you have to be willing to live with about 25% of dialogue shooting past you (unless perhaps you are from "Loozyana"), and perhaps missing some of the relationships between people early on. However, while this meant that you might miss out on some of the subtleties, the story is not that fast moving and complex that it warrants bypassing the movie, given all its virtues.
11 of 11 people found this review helpful.
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There aren't too many movies where you find that each and every actor seems realistic, without overplaying his or her part. I definitely have a bias towards moody, dark Louisiana movies with psychotic killers and corruption. This movie has all the virtues of that genre. Tommy Lee Jones is excellent as a worn-out, aging, alcoholic detective (on the wagon) who has a strong moral sense, but cuts corners when he deems it necessary.
John Goodman is so versatile that I didn't recognize him as the same actor who was in The Big Lebowski which I had watched only the day before. The script was so adept that they handled the issues of race relations in what I considered a realistic manner without any preaching. The settings, whether swamps at night, Southern mansions, broken down shacks, or merely country scenery all seemed highly realistic. The editing was excellent. Thus, the timing of most scenes was just right, so there wasn't the problem of boredom.
The only reason I gave the movie an 8 rather than a 10 is that it suffered from too much mumbled dialogue, so you have to be willing to live with about 25% of dialogue shooting past you (unless perhaps you are from "Loozyana"), and perhaps missing some of the relationships between people early on. However, while this meant that you might miss out on some of the subtleties, the story is not that fast moving and complex that it warrants bypassing the movie, given all its virtues.