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Two Women (1960)
"La ciociara" (original title)

 |  Drama, War  |  9 May 1961 (USA)
7.9
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Ratings: 7.9/10 from 5,879 users  
Reviews: 32 user | 23 critic

Cesira is a beautiful widow and a successful grocery store owner in Rome. WWII is raging, and she fears for her beloved daughter, 13-year-old Rosetta, amid the daily bombings. They travel ... See full summary »

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(novel), (adaptation), 1 more credit »
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Title: Two Women (1960)

Two Women (1960) on IMDb 7.9/10

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Won 1 Oscar. Another 10 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Michele Di Libero (as Jean Paul Belmondo)
Eleonora Brown ...
Carlo Ninchi ...
Filippo, il padre di Michele
Andrea Checchi ...
Un fascista
Pupella Maggio ...
Una contadina
Emma Baron ...
Maria
Bruna Cealti ...
Una sfollata
Antonella Della Porta ...
La madre impazzita
Mario Frera
Franco Balducci ...
Il tedesco nel pagliaio
Luciana Cortellesi
Curt Lowens
Tony Calio ...
(as Tony Caliò)
Remo Galavotti
Edit

Storyline

Cesira is a beautiful widow and a successful grocery store owner in Rome. WWII is raging, and she fears for her beloved daughter, 13-year-old Rosetta, amid the daily bombings. They travel to the village where Cesira was born, where Cesira believes they will be safer. There, they are happy even as food dwindles. A young intellectual, Michele, falls in love with Cesira, who is too consumed with the well-being of her daughter and their survival to return his timid advances. As the allies advance, Cesira decides to return to Rome - and encounter the horrors of war at last. Written by jcravens42@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Suddenly...Love Becomes Lust...Innocence becomes shame...As two women are trapped by violent passion and unforgettable terror!

Genres:

Drama | War

Certificate:

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Parents Guide:

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Details

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Language:

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Release Date:

9 May 1961 (USA)  »

Also Known As:

Two Women  »

Company Credits

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Technical Specs

Runtime:

| (subtitled release)

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The film is adapted from an Alberto Moravia novel of 1957 "La Ciocara", based on true events of mass rapes by the Moroccan Gourmiers in the Ciocara region after the battle of Monte Cassino in World War II. Monte Cassino was captured by the Allies on 18 May 1944, and on the following night, thousands of Goumiers and other colonial troops scoured the the hills surrounding the towns and the villages of Ciociaria. Over 60,000 women, ranging in age from 11 to 86, suffered from violence, when village after village came under control of the Goumiers. Civilian men who tried to protect their wives and daughters were murdered. See more »

Goofs

Near the beginning of the film Cesira and Rosetta choose to walk rather than wait aboard their stranded train. However they set off in the opposite direction to the train's destination. See more »

Quotes

Cesira: You're getting a real behind on you like a woman.
See more »

Connections

Referenced in What's My Line?: Episode dated 28 May 1961 (1961) See more »

Soundtracks

Portami tante rose
Written by Cesare A. Bixio and composed by Michele Galdieri
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A magnificent film about how human bonds redeem us from ourselves
18 February 2006 | by (United States) – See all my reviews

I gave this film 9/10 while understanding its weaknesses. First, as others note, the print is the worst I've ever encountered sometimes turning faces into gray pudding, but the problem was not so great to keep me from responding fully to the film's power, and I decided to evaluate the film rather than the print. I have more serious concerns about events at the film's climax which raise issues which are resolved too quickly. In fact these issues might be the subject of a whole new film, and if treated here they would require another hour of play time. The films hasty resolution of these issues makes important behaviors seem poorly motivated and unbelievable. However, the issues in question are not the central issues of the movie. When Cesira apologizes to her daughter (and at other points) I was left sobbing in spite of the film's failure to properly address the daughter's final trauma. This is not a about recovering from trauma. Rather, it is a film about human fallibility and self-deception or, as Michele puts it, "You can't escape, not even from yourself." Cesira faults others while never examining her own behavior. Like those around her, she acts only to preserve her own immediate interests. At the other extreme. Michele's idealism prevents him from realizing his own humanity. Only Rosetta demonstrates the purity to see beyond self-interest, and the instinct to truly tell right from wrong. Her downfall is the tragedy of the film. Yet through all of this the film shows us how, when pushed to extremes, these people are capable of forging deep human bonds. Such bonds have the power to redeem all as they finally redeem Rosetta. I can't conclude without adding my own appreciation for Sophia Loren's extraordinary performance.


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Any GOOD DVD versions out there? jspearman7
Rape scene not as violent as remembered hud9150
Rape Scene in the Church grapesofbutcher
supporting actress's age jiqinghui
Perfect title for the Criterion Collection! ricardozaldivar
deleted scene? confused whatsupdoc_55
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