The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
In 1995, drug suppliers and career criminals Tony Tucker, Patrick Tate and Craig Rolfe were blasted to death by a shot gun whilst waiting in a Range Rover in Rettendon, Essex. The film ... See full summary »
Director:
Sacha Bennett
Stars:
Michael Socha,
Vincent Regan,
Kierston Wareing
Rise of the Footsoldier follows the inexorable rise of Carlton Leach from one of the most feared generals of the football terraces to becoming a member of a notorious gang of criminals who ... See full summary »
Director:
Julian Gilbey
Stars:
Ricci Harnett,
Terry Stone,
Craig Fairbrass
Frankie decides enoughs enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie who's currently running the ... See full summary »
A group of people who feel betrayed by their government and let down by their police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.
The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten ... See full summary »
An orphaned Jamaican baby is adopted by an elderly white couple and brought up in an all white area of London and becomes one of the most feared and respected men in Britain. Based on a true story.
Charlie is a London youngster who,with his friends,indulges in streaking and petty crime. However he aspires to better himself though his reckless friend Justin ruins his chances of working... See full summary »
Director:
Nick Love
Stars:
Paul Nicholls,
Roland Manookian,
Phil Daniels
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony Tucker, three drug dealers well known to the police, were lured to Workhouse Lane, Rettendon. There they were blasted to death with a shot gun while sitting in their Range Rover. They had been lured to their deaths on the pretext of a lucrative drugs deal. The three bodies were found the following morning, 7 December 1995. Written by
Anonymous
[Jason has just beaten up a suspected grass, kidnapped him and thrown acid in his face, getting some on his own shirt. He and Billy have driven him to a muddy river bank and left him there, screaming in agony]
Billy Reynolds:
[voiceover]
And that was that. Job done. Jason needed a new shirt - and the geezer needed a new face!
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Crazy Credits
Statement in opening titles: "This story is inspired by a single true event. It left three men dead, two serving life imprisonment and another living under an assumed identity. The rest is fiction, as are all the characters." See more »
A good film on several levels. The unflattering comparisons that some critics have made between it and The Usual Suspects are completely misguided as directorial intent and effect in the two pictures are dissimilar. Winsor's film, it seems to me, brilliantly evokes both the drabness and cruelty of the criminal mindset. It does this partly through the choice of dull, flat Essex landscapes with their coastal marshes, grey motorway links, flash nouveau riche mansions and the tawdry glamour of seafront locations. The characters are both repellent and yet curiously mesmerising. This is not a film in which it is easy to lose interest. Nobody can do psycho-thug better than Sean Bean, and Charlie Creed-Miles has created a dangerously weak character as Billy, whom it is almost possible to feel sorry for without actually liking. The film is very well lit, though I did find sound levels a little dodgy at times It's a film that, despite critics' comments, is not a million miles from Get Carter in quality.
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A good film on several levels. The unflattering comparisons that some critics have made between it and The Usual Suspects are completely misguided as directorial intent and effect in the two pictures are dissimilar. Winsor's film, it seems to me, brilliantly evokes both the drabness and cruelty of the criminal mindset. It does this partly through the choice of dull, flat Essex landscapes with their coastal marshes, grey motorway links, flash nouveau riche mansions and the tawdry glamour of seafront locations. The characters are both repellent and yet curiously mesmerising. This is not a film in which it is easy to lose interest. Nobody can do psycho-thug better than Sean Bean, and Charlie Creed-Miles has created a dangerously weak character as Billy, whom it is almost possible to feel sorry for without actually liking. The film is very well lit, though I did find sound levels a little dodgy at times It's a film that, despite critics' comments, is not a million miles from Get Carter in quality.