After the destruction of the Twelve Colonies of Mankind, the last major fighter carrier leads a makeshift fugitive fleet in a desperate search for the legendary planet Earth.
After the destruction of the Twelve Colonies of Mankind, the last major fighter carrier leads a makeshift fugitive fleet on a desperate search for the legendary planet Earth.
Running low on fuel, the Battlestar Galactica receives the help of the supposedly lost Battlestar Pegasus which is taking the offensive with the Cylons.
After an astronaut/test pilot is catastrophically mutilated in a test plane crash, he is rebuilt and equipped with nuclear powered bionic limbs and implants.
Director:
Richard Irving
Stars:
Lee Majors,
Barbara Anderson,
Martin Balsam
A re-imagining of the original series in which a "rag-tag fugitive fleet" of the last remnants of mankind flees pursuing robots while simultaneously searching for their true home, Earth.
Stars:
Edward James Olmos,
Mary McDonnell,
Katee Sackhoff
The story of how the Twelve Colonies of Mankind are destroyed after a thousand years of war with the evil Cylon Empire. Through deceit, the Cylons are able to destroy the Colonies' entire fleet, except for the Battlestar Galactica, captained by Commander Adama. Adama gathers up the few remaining humans left on all the twelve worlds and embarks on a journey to find the mythical planet Earth, the supposed thirteenth colony, lost millennia ago when humans first left the motherworld Kobol. With food and fuel running out, the fleet heads for an ore planet, Carillon, hoping to get what they need. The Ovions, who populate the planet, are being controlled by the Cylons, who set a trap for the Galactica. Under a clever ruse, Adama convinces the Cylons that his pilots are on the surface at a banquet, while the real pilots are at full combat readiness. The fleet gets their food and fuel, and escapes, destroying Carillon and a Cylon Basestar hiding behind the planet. Written by
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John Dykstra, who worked on Star Wars (1977) used much of the technology developed for ILM in this movie, including his motion control camera, the so-called "Dykstraflex". See more »
Goofs
Just after Apollo and Zac are attacked by Cylon Raiders, Apollo asks Zac how many fighters he can make out. Zac looks at his scanner and says, "Four." The scanner shows five even though there are actually only four fighters behind them. See more »
Quotes
Lt. Boomer:
[to Starbuck]
Every creature in the universe is out to exterminate us, and you want to hire a vocal group?
See more »
Created by Glen A. Larson, the master of late-1970's TV Sci-Fi, this is the best of the spate of Star Wars clones. On the surface, it is a cheesy space-opera epic with space battles, an army of genocidal robots, a traitorous betrayal, and a desperate fight against incredible odds. Going deeper, it is both a statement about the Cold War and a conscious allegory of Mormon theology (Larson is a member of the LDS church).
I grew with this series, and idolized Starbuck and Apollo. Still today, I can watch the series premiere (which was also variously released as a TV movie, and even in theaters in Canada, Europe, and later the USA) over and over again. There are some moments of great dialogue, the effects are pretty good (even if they tend to repeat...a lot), and the story and series concept are excellent. You gotta love any series that STARTS with the near-extinction of the entire human race.
Unfortunately, when the transition was made from the original concept of several special-event TV movies to a regular series, the conventions of 70's TV took over. Forget most of the series episodes, they tend to repeat plot ideas more than "Star Trek: Voyager" re-uses the "Space Anomaly of the Week" idea. But the original movie is a true sci-fi classic.
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Created by Glen A. Larson, the master of late-1970's TV Sci-Fi, this is the best of the spate of Star Wars clones. On the surface, it is a cheesy space-opera epic with space battles, an army of genocidal robots, a traitorous betrayal, and a desperate fight against incredible odds. Going deeper, it is both a statement about the Cold War and a conscious allegory of Mormon theology (Larson is a member of the LDS church).
I grew with this series, and idolized Starbuck and Apollo. Still today, I can watch the series premiere (which was also variously released as a TV movie, and even in theaters in Canada, Europe, and later the USA) over and over again. There are some moments of great dialogue, the effects are pretty good (even if they tend to repeat...a lot), and the story and series concept are excellent. You gotta love any series that STARTS with the near-extinction of the entire human race.
Unfortunately, when the transition was made from the original concept of several special-event TV movies to a regular series, the conventions of 70's TV took over. Forget most of the series episodes, they tend to repeat plot ideas more than "Star Trek: Voyager" re-uses the "Space Anomaly of the Week" idea. But the original movie is a true sci-fi classic.