A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of co-opting the I.D. of a dead arms dealer acquaintance.
An epic portrait of late Sixties America, as seen through the portrayal of two of its children: anthropology student Daria (who's helping a property developer build a village in the Los ... See full summary »
Cold, rain, and fog surround a plant in Ravenna. Factory waste pollutes local lakes; hulking anonymous ships pass or dock and raise quarantine flags. Guiliana, a housewife married to the ... See full summary »
Director:
Michelangelo Antonioni
Stars:
Monica Vitti,
Richard Harris,
Carlo Chionetti
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
Director:
Michelangelo Antonioni
Stars:
Tomas Milian,
Daniela Silverio,
Christine Boisson
A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
Director:
Michelangelo Antonioni
Stars:
Monica Vitti,
Paolo Bonacelli,
Franco Branciaroli
A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.
Director:
Bob Rafelson
Stars:
Jack Nicholson,
Karen Black,
Billy Green Bush
A journalist researching a documentary in the Sahara Desert meets a gunrunner who dies suddenly. When the journalist notices that they have a similar appearance, he assumes the recently deceased's identity and accepts the consequences that it brings. Written by
MuzikJunky
In the scene where Jack Nicholson's character lies down in an orange grove, the oranges weren't orange enough and had to be painted. See more »
Quotes
The Girl:
Isn't it funny how things happen? All the shapes we make. Wouldn't it be terrible to be blind?
David Locke:
I know a man who was blind. When he was nearly 40 years old, he had an operation and regained his sight.
The Girl:
How was it like?
David Locke:
At first he was elated... really high. Faces... colors... landscapes. But then everything began to change. The world was much poorer than he imagined. No one had ever told him how much dirt there was. How much ugliness. He noticed ugliness everywhere. When he was blind... he used ...
See more »
I just saw this movie last night on the big screen as part of the re-release. Without a doubt, this is a great movie. I knew nothing about it going in, except that Jack was in a movie by the guy who did Blow-Up...needless to say, the film lacks the chic swinging London vibe of Blow- Up however is much more effective in terms of playing out an ambiguous mystery and Jack gives a remarkable, subdued performance. Keep in mind when seeing this film that it is sloooooooow, but the payoffs are well worth it (highly recommended to see on the big screen). Antonioni is incredibly assured behind the camera and lets the story play out in its own time. The way the story is revealed is like a trail of lost breadcrumbs that the audience is given only when it is absolutely starving for something. Once they are given, those crumbs turn into succulent, nourishing slices of (insert favorite food here). The last scene, for me, was worth ten times the price of admission. That which is inevitable is the most haunting.
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I just saw this movie last night on the big screen as part of the re-release. Without a doubt, this is a great movie. I knew nothing about it going in, except that Jack was in a movie by the guy who did Blow-Up...needless to say, the film lacks the chic swinging London vibe of Blow- Up however is much more effective in terms of playing out an ambiguous mystery and Jack gives a remarkable, subdued performance. Keep in mind when seeing this film that it is sloooooooow, but the payoffs are well worth it (highly recommended to see on the big screen). Antonioni is incredibly assured behind the camera and lets the story play out in its own time. The way the story is revealed is like a trail of lost breadcrumbs that the audience is given only when it is absolutely starving for something. Once they are given, those crumbs turn into succulent, nourishing slices of (insert favorite food here). The last scene, for me, was worth ten times the price of admission. That which is inevitable is the most haunting.