A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
The only thing more outrageous than French novelist George Sand's torrid love affair with the decadent author Alfred de Musset and her affinity for wearing men's clothing, was the content ... See full summary »
After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.
In the post-apocalyptic future, only a few humans are left. No one is able to speak; the film contains no dialogue, and characters communicate non-verbally. A determined loner befriends a ... See full summary »
How tenuous is man's hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is... See full summary »
Director:
David Koepp
Stars:
Kyle MacLachlan,
Elisabeth Shue,
Dermot Mulroney
Future Americans decide to time travel to 1776 to ask the founding fathers for the solutions to their problems. A glitch in the time machine changes their destination to 1976. Still ... See full summary »
Director:
Lucas Reiner
Stars:
Mark Mothersbaugh,
Gerald V. Casale,
Carl Reiner
In psychedelic swinging 60s style, the dreaded thief (and killer) Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant ... See full summary »
Director:
Mario Bava
Stars:
John Phillip Law,
Marisa Mell,
Michel Piccoli
In the New World, a new Spanish governor finds the province of Nueva Aragón under the iron fist of the corrupt Colonel Huerta and vows to bring justice under the guise of a masked avenger.
Director:
Duccio Tessari
Stars:
Alain Delon,
Stanley Baker,
Ottavia Piccolo
Paris, 1969. The filming of a sci-fi movie set in the distant year 2000 is in trouble. The director's obsession with the actress who plays the sexy secret agent Dragonfly has clouded his judgment and the film has no ending. A young American, in Paris to document his life on film with total honesty, is brought in to finish the movie with a bang. This proves to be difficult when the line between his fantasy life and reality becomes blurred, and he finds himself seduced by the charms of Dragonfly. Written by
Kimberly
Special features on the DVD include two cuts of the movie-within-a-movie, "Codename: Dragonfly" - "Paul's Version" and "Andrzej's Version." See more »
Goofs
During the chase scene, Dragonfly scrapes and destroys almost all of the rear left-side "winglet" on the white sports car she is driving, yet in the next shot, the winglet is seen to be completely intact and undamaged. See more »
Quotes
Paul:
I just want to capture what's real and honest.
Marlene:
And what if it's boring?
See more »
CQ was the worst film I saw this year. Nearly every film I choose to see in the theater is at least entertaining or has something to say. This film looked like like it was directed by a film student for his Intro. to Filmmaking class. His father makes great films. His sister made a good one. But brother Roman? NO! One critic had the audacity to compare this film to Godard's Le Mépris (Contempt). While Coppola, Jr. did take the same idea, a film about film, he tried too hard to make himself seem European, artsy, and witty, when it's all really just kitsch. The lead actor carries the same expression through the whole film, like he's either in awe or in shock of this film being made around him. Schwartzman somehow manages to pull off his role as a flamboyant director. Depardieu is alright. The one scene that has any real film spoof humor at all is, surprisingly, not the B-movie scenes, but rather one which takes place in Italy; a montage of shots of several various characters inside a very small car, driving around picking up and dropping off random people. This was the only thing that reminded me of the cinema I am guessing he was trying to spoof. Or rip-off. Or both. The documentary with the lead talking into the camera and filming various objects has been played out, the ending was tagged on for the sake of a "twist" or artistic value... I suppose the funniest thing about this film was the film itself, and not in the way it intended. No wonder this film was sent back after a festival screening to be re-edited or re-shot or whatever, which makes me curious as to just how bad it was before. I can't believe it could have been worse than this. If you want to see a good parody of film check out the Austin Powers films. Any of them. The opening to the third is more entertaining and more genius than this entire film. Lil' Romy, for the sake of cinema, PLEASE go back to directing your cousin's music videos. Leave The Godfathers to daddy.
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CQ was the worst film I saw this year. Nearly every film I choose to see in the theater is at least entertaining or has something to say. This film looked like like it was directed by a film student for his Intro. to Filmmaking class. His father makes great films. His sister made a good one. But brother Roman? NO! One critic had the audacity to compare this film to Godard's Le Mépris (Contempt). While Coppola, Jr. did take the same idea, a film about film, he tried too hard to make himself seem European, artsy, and witty, when it's all really just kitsch. The lead actor carries the same expression through the whole film, like he's either in awe or in shock of this film being made around him. Schwartzman somehow manages to pull off his role as a flamboyant director. Depardieu is alright. The one scene that has any real film spoof humor at all is, surprisingly, not the B-movie scenes, but rather one which takes place in Italy; a montage of shots of several various characters inside a very small car, driving around picking up and dropping off random people. This was the only thing that reminded me of the cinema I am guessing he was trying to spoof. Or rip-off. Or both. The documentary with the lead talking into the camera and filming various objects has been played out, the ending was tagged on for the sake of a "twist" or artistic value... I suppose the funniest thing about this film was the film itself, and not in the way it intended. No wonder this film was sent back after a festival screening to be re-edited or re-shot or whatever, which makes me curious as to just how bad it was before. I can't believe it could have been worse than this. If you want to see a good parody of film check out the Austin Powers films. Any of them. The opening to the third is more entertaining and more genius than this entire film. Lil' Romy, for the sake of cinema, PLEASE go back to directing your cousin's music videos. Leave The Godfathers to daddy.