A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
The story of a terminally ill teenage girl who falls for a boy who likes to attend funerals and their encounters with the ghost of a Japanese kamikaze pilot from WWII.
Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way.
Instead of adhering to the norms of their South Central neighborhood, a group of skater boys opt to bus into Hollywood and Beverly Hills, where they attract local rich girls - and plenty of... See full summary »
Director:
Larry Clark
Stars:
Jonathan Velasquez,
Francisco Pedrasa,
Milton Velasquez
The story of Harvey Milk, and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official.
The teenager and skateboarder Alex is interviewed by Detective Richard Lu that is investigating the death of a security guard in the rail yards severed by a train who was apparently hit by a skate board. While dealing with the separation process of his parents and the sexual heat of his virgin girlfriend Jennifer, Alex writes his last experiences in Paranoid Park with his new acquaintances and how the guard was killed, trying to relieve his feeling of guilty from his conscience. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2007 (#01) See more »
Goofs
During the scene where Alex pushes the guard who gets slashed by the trains' wheels, the guard falls backwards, so he's suppose to be lying on his back, but on the shot where Alex is standing next to him, the guard seems to be as he fell forward, and lies on his stomach. See more »
This reminded me very much of ALL ABOUT LILY CHOU-CHOU. Languid story about youth culture with a tragic turn of events, with distinctive use of music and camera technique. It's a tough film to classify, not quite a character study, not much of a thriller, more of a mood piece. I was a little perplexed at what Van Sant was aiming for (and particularly confused by the repeated snippets of score from JULIET OF THE SPIRITS) but it resonates and does a pretty good job of sucking you into its rhythms and offbeat structure. There are a few character moments that don't quite ring true, but this may be more a function of the non-professional cast than any fault of the screenplay. Shot beautifully by Chris Doyle on location here in Van Sant's hometown of Portland, it's always a kick to see familiar places (and faces... Ken Boddie!). It's not a DRUGSTORE COWBOY or a GERRY, but I liked it more than a lot of other Van Sants I've tried.
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This reminded me very much of ALL ABOUT LILY CHOU-CHOU. Languid story about youth culture with a tragic turn of events, with distinctive use of music and camera technique. It's a tough film to classify, not quite a character study, not much of a thriller, more of a mood piece. I was a little perplexed at what Van Sant was aiming for (and particularly confused by the repeated snippets of score from JULIET OF THE SPIRITS) but it resonates and does a pretty good job of sucking you into its rhythms and offbeat structure. There are a few character moments that don't quite ring true, but this may be more a function of the non-professional cast than any fault of the screenplay. Shot beautifully by Chris Doyle on location here in Van Sant's hometown of Portland, it's always a kick to see familiar places (and faces... Ken Boddie!). It's not a DRUGSTORE COWBOY or a GERRY, but I liked it more than a lot of other Van Sants I've tried.