A look at the life of philosopher and political theorist Hannah Arendt, who reported for The New Yorker on the war crimes trial of the Nazi Adolf Eichmann.
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In 1961, the noted German-American philosopher, Hanna Arendt, gets to report on the trial of the notorious Nazi war-criminal, Adolf Eichmann. While observing the legal proceedings, the Holocaust survivor concludes that Eichmann was not a simple monster, but an ordinary man who thoughtlessly buried his conscience through his obedience to the Nazi Regime and its ideology. Arendt's expansion of this idea through her resulting New Yorker articles would create the concept of the "Banality of Evil" that she thought even sucked in some Jewish leaders of the era into unwittingly participating in the Holocaust. The result is a bitter public controversy in which Arendt is accused of blaming the Holocaust's victims. Now, that strong willed intellectual is forced to defend her daringly innovative ideas about moral complexity in a struggle that will exact a heavy personal cost. Written by
Kenneth Chisholm (kchishol@rogers.com)
Hannah Arendt:
How can you leave me like that? No hug, no kiss?
Heinrich Blücher:
Never disturb a great philosopher when they're thinking.
Hannah Arendt:
But they can't think without kisses.
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Hanna Arendt is a biopic of the homonymous German philosopher focusing on her coverage of the Eichmann trial in Jerusalem and the outrage that her articles on it ensued.
As a historical document, the movie is gripping and mostly clear (though some lines of the discussions of her with her friends are a bit unclear) to laymen. I, for one, had never heard of Arendt and the 'banality of evil' before, but I believe that now I'd be able to talk about her thoughts with making a fool out of myself. For that, I thank the film.
Though, on a movie-making viewpoint, it is a letdown. The flow of the film is pretty odd, with leaps in time and space (eg. suddenly she is in Israel), and the efforts to use transition scenes are pretty untimely. The dialogs aren't the best either, with strange remarks here and there, and philosophic remarks not everyone could grasp.
Hannah Arendt is much more of a history and philosophy class, than a great movie. Though, it deserves a bit of appreciation for successfully exposing a great woman's thoughts to a new generation.
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Hanna Arendt is a biopic of the homonymous German philosopher focusing on her coverage of the Eichmann trial in Jerusalem and the outrage that her articles on it ensued.
As a historical document, the movie is gripping and mostly clear (though some lines of the discussions of her with her friends are a bit unclear) to laymen. I, for one, had never heard of Arendt and the 'banality of evil' before, but I believe that now I'd be able to talk about her thoughts with making a fool out of myself. For that, I thank the film.
Though, on a movie-making viewpoint, it is a letdown. The flow of the film is pretty odd, with leaps in time and space (eg. suddenly she is in Israel), and the efforts to use transition scenes are pretty untimely. The dialogs aren't the best either, with strange remarks here and there, and philosophic remarks not everyone could grasp.
Hannah Arendt is much more of a history and philosophy class, than a great movie. Though, it deserves a bit of appreciation for successfully exposing a great woman's thoughts to a new generation.