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The Strange Color of Your Body's Tears
(2013)
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Cast
| Cast overview, first billed only: | |||
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Dan Kristensen
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Ursula Bedena |
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Joe Koener |
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Birgit Yew |
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Hans De Munter | ... |
(as Hans de Munter)
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Anna D'Annunzio | ... |
Barbara
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Jean-Michel Vovk | ... |
L'inspecteur
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Manon Beuchot |
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Romain Roll |
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Lolita Oosterlynck |
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Delphine Brual |
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Sam Louwyck |
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Sylvia Camarda |
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Ann de Visscher |
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Michael Fromowicz |
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Plot Summary
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Storyline
Following the disappearance of his wife, a man finds himself on a dark and twisted trail of discovery through the labyrinthine halls of his apartment building. Led on a wild goose chase by cryptic messages from his mysterious neighbours, he becomes entangled in a hellish nightmare as he unlocks their strange fantasies of sensuality and bloodshed. The Strange Colour Of Your Body's Tears is a visually dazzling experience from the creators of Amer that takes you on a journey into mystery and blood soaked terror that you will never forget. Written by Anonymous
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Details
Release Date:
12 March 2014 (Belgium) See more »Also Known As:
The Strange Color of Your Body's Tears See more »Box Office
Opening Weekend:
$2,041 (USA) (29 August 2014)Gross:
$7,182 (USA) (28 November 2014)Company Credits
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Technical Specs
Runtime:
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
2.35 : 1
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Certainly in the spirit of giallo but with the soul of Kafka. No simple narrative flow, not even a regular narrative structure, this visual and aural treat is not the simplest of watches. Always beautiful with continuous references to stained glass, art nouveau, eyes, knives and bared and bleeding flesh, the music and effects are also alluring, evocative and disturbing. A man returns from a business trip to find he cannot find his wife ( Edwige, nudge nudge aficionados! ) and that's about it, unless you count the wondrous building in which the film takes place or the spaces behind the walls. The directing duo are clearly fascinated by the Italian genre films of the 60s and early 70s and deliver up the most sumptuous offering, its just that, not unreasonably, they are less interested in the story lines but more in the more primal elements that go into even the lesser giallo. They love the colours, the sounds, the wide eyed screams and the trickling blood. The confused participants who know not whether they are mad or even dead, cannot help but draw us in to this manic mayhem and those of us who, similarly enjoy this craziness, can only applaud and breathe a sigh of relief we got out alive.