Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Director:
Richard Brooks
Stars:
Paul Newman,
Geraldine Page,
Shirley Knight
Rocky Graziano is building a career in crime, when he's finally caught and arrested. In jail, he is undisciplined, always getting into trouble. When he gets out after many years he has ... See full summary »
Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Director:
Melville Shavelson
Stars:
Paul Newman,
Joanne Woodward,
Thelma Ritter
John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike the US at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and fall... See full summary »
Director:
Martin Ritt
Stars:
Paul Newman,
Joanne Woodward,
Sidney Poitier
Sixty-one year old widower Will Varner, in ill health, owns many businesses and property in Frenchman's Bend, Mississippi, including a plantation. To him, his children are a disappointment, they who he sees as not being able to carry on the Varner name in the style to which he has built around it. Son Jody Varner has no ambition and does not work, spending much of his time fooling around with his seductive wife, Eula. Twenty-three year old daughter Clara Varner he finds clever, but he feels she also wastes her time on more contemplative pursuits. While most of her contemporaries are married, Clara has been dating Alan Stewart, a genteel mama's boy, for six years. Will would not mind Alan so much if he too thought Alan had a bit of a forceful man in him, which he could demonstrate by actually asking Clara to marry him. Conversely, Jody laments that nothing he does is ever good enough for his father, while Clara plain does not like the way he treats them. Into their lives comes Ben ... Written by
Huggo
The success of the film helped Martin Ritt reestablish himself as a major director following his 5-year blacklisting from Hollywood. See more »
Quotes
Clara:
You're too much like my father to suit me, and I'm an authority on him.
Ben:
He's a wonderful old man.
Clara:
One wolf recognizes another.
Ben:
Tame us. Make pets out of us. You could.
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Considering the cast and the fine Faulkner story, I was expecting wonderful things from this movie, maybe another Splendor in the Grass, but I felt badly let down.
The script was, in a word, wretched. There were unmotivated strong emotions, stilted dialog, not helped by poorly faked Southern accents from players who are not not native Southerners, loaded with plot holes and murky relationships that seemed to go up and down like the stock market.
The cast that looked so good on paper didn't cut it. Anthony Franciosa looked like high school senior play. Paul Newman and Joanne Woodward, who went on to Academy Award performances later, were just over the top and struggling with bad dialog in this one. I thought Orson Welles and Angela Lansbury were was excellent playing off each other, but their relationship in a subplot was undefined and didn't advance the story at all.
My family, with different generations, watched the movie at home on DVD with me and their reaction was similar to mine: a sympathetic disappointment in the work of some of our favorite players.
9 of 14 people found this review helpful.
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Considering the cast and the fine Faulkner story, I was expecting wonderful things from this movie, maybe another Splendor in the Grass, but I felt badly let down.
The script was, in a word, wretched. There were unmotivated strong emotions, stilted dialog, not helped by poorly faked Southern accents from players who are not not native Southerners, loaded with plot holes and murky relationships that seemed to go up and down like the stock market.
The cast that looked so good on paper didn't cut it. Anthony Franciosa looked like high school senior play. Paul Newman and Joanne Woodward, who went on to Academy Award performances later, were just over the top and struggling with bad dialog in this one. I thought Orson Welles and Angela Lansbury were was excellent playing off each other, but their relationship in a subplot was undefined and didn't advance the story at all.
My family, with different generations, watched the movie at home on DVD with me and their reaction was similar to mine: a sympathetic disappointment in the work of some of our favorite players.