Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
Young freewheeling wanderer Jerry Day and his beautiful wife Toni are at odds over their lifestyle. Jerry can't accept responsibility but Toni yearns for a family and a settled life. Then ... See full summary »
Director:
Henry Hathaway
Stars:
Gary Cooper,
Carole Lombard,
Shirley Temple
An orphan is provisionally adopted by the manager of a hotel populated by show business people. The hotel's owner doesn't like the entertainers and wants the girl returned to the orphanage.
Director:
Irving Cummings
Stars:
Shirley Temple,
George Murphy,
Jimmy Durante
Frank Johnson flees police after becoming an eyewitness to murder. He is pursued around scenic San Francisco by his wife, a reporter, the police, and... the real murderer.
The body of an unknown woman turns up in a stolen car abandoned in a New York park, and the only clue the detectives on the case have to work from is the tattoo on her arm, and the fact ... See full summary »
Director:
Edward Montagne
Stars:
John Miles,
Patricia Barry,
Walter Kinsella
Two days before Marian and Ned are to be married, he is killed by the husband of a woman he was seeing on the side. Marian becomes withdrawn and they send her to the Canadian Rockies for ... See full summary »
Directors:
Alfred E. Green,
Phil Rosen
Stars:
Barbara Stanwyck,
Frank Morgan,
Ricardo Cortez
Nick Cherney, in prison for embezzling from Torno Freight Co., sees a chance to get back at Johnny Torno through his young priest brother Jess. He pays fellow prisoner Rocky, who gets out a... See full summary »
Vicious hood 'Red' Kluger escapes from Folsom Prison and carries through on his threats to the detective who arrested him and the D.A. who got him convicted.
Director:
Felix E. Feist
Stars:
Michael O'Shea,
Virginia Grey,
Charles McGraw
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into government service (not, as she fantasizes, to join the USO). On a side trip to New York, her vivid imagination leads her to True Love with naval hero Tommy Dooley; but increasingly involved Musical Comedy Complications follow. Written by
Rod Crawford <puffinus@u.washington.edu>
Linda Darnell and Don Ameche were originally set to star team this movie in October 1942 but when the movie was announced as a musical, Darnell was replaced with Grable. See more »
Betty Grable and Fox capitalizing (but not crassly) on the musical star's real-life pin-up status with WWII-era soldiers by casting her as a Washington, D.C. secretary who moonlights on the weekends as an entertainer with the U.S.O. Via some innocent and girlish, wide-eyed deception, she wins the heart of a Naval war hero who is led to believe she's a Broadway headliner. Grable doesn't sport the one-piece swimsuit she wears in that legendary pin-up, nor she does exploit her famous legs. Rather, she's displayed here as a nice, decent, small town lass who has somehow allowed several dozen soldiers to propose marriage to her (she doesn't take the offers seriously, so why should the men?). In between fabrications and costume changes, Grable sings, dances, and (most improbably) gets to play drill sergeant to a large company of WAC's in precision march. This last number is quite a mad capper for the picture, which maniacally represents a bygone era of nightclubs, canteens, novelty songs, and rollerskating dancers sporting red, white, or blue ostrich-feather fans. Martha Raye sings too (and gets to have a surprisingly catty side) before she and Grable's pal Dorothea Kent are both unceremoniously forgotten about midway through the film. ** from ****
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Betty Grable and Fox capitalizing (but not crassly) on the musical star's real-life pin-up status with WWII-era soldiers by casting her as a Washington, D.C. secretary who moonlights on the weekends as an entertainer with the U.S.O. Via some innocent and girlish, wide-eyed deception, she wins the heart of a Naval war hero who is led to believe she's a Broadway headliner. Grable doesn't sport the one-piece swimsuit she wears in that legendary pin-up, nor she does exploit her famous legs. Rather, she's displayed here as a nice, decent, small town lass who has somehow allowed several dozen soldiers to propose marriage to her (she doesn't take the offers seriously, so why should the men?). In between fabrications and costume changes, Grable sings, dances, and (most improbably) gets to play drill sergeant to a large company of WAC's in precision march. This last number is quite a mad capper for the picture, which maniacally represents a bygone era of nightclubs, canteens, novelty songs, and rollerskating dancers sporting red, white, or blue ostrich-feather fans. Martha Raye sings too (and gets to have a surprisingly catty side) before she and Grable's pal Dorothea Kent are both unceremoniously forgotten about midway through the film. ** from ****