The Umbrellas of Cherbourg
(1964)
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The Umbrellas of Cherbourg
(1964)
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Cast overview, first billed only: | |||
Catherine Deneuve | ... | ||
Nino Castelnuovo | ... | ||
Anne Vernon | ... | ||
Marc Michel | ... | ||
Ellen Farner | ... |
Madeleine
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Mireille Perrey | ... |
Tante Élise
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Jean Champion | ... |
Aubin
(as J. Champion)
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Pierre Caden | ... |
Bernard
(as P. Caden)
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Jean-Pierre Dorat | ... |
Jean
(as J.P. Dorat)
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Bernard Fradet | ... |
Gas Station Apprentice
(as B. Fradet)
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Michel Benoist | ... |
Umbrella Buyer
(as M. Benoist)
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Philippe Dumat | ... |
Garage Customer in 1957
(as P. Dumat)
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Dorothée Blanck | ... |
Girl in Cafe
(as D. Blank)
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Jane Carat | ... |
Ginny
(as J. Carat)
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Harald Wolff | ... |
Monsieur Dubourg
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Told in four acts, the lives of Geneviève Emery and Guy Foucher of Cherbourg France are presented. Act 1 begins in November 1957, when sixteen year old Geneviève, who works in her widowed mother's umbrella shop called "Les parapluies de Cherbourg", and twenty year old Guy, who works as a mechanic at a gas station, are madly in love and want to get married. They are reluctant to tell anyone not only of their want to get married, but of their relationship. Geneviève believes her mother will think her too young, and would want her to marry someone with better prospects, especially considering her own tenuous financial situation. And Guy is more concerned now about not abandoning his ailing godmother, Aunt Élise, who raised him, and who he looks after along with a young woman named Madeleine. Act 2, told largely from Geneviève's perspective, begins in February 1958. Guy, drafted to fight for the French in Algeria, has been gone for two months, and is expected to be gone for two years. ... Written by Huggo
A very French, very idiosyncratic musical that while lacking any discernible 'songs' or dance routines manages to be one of the most affecting musicals ever written. Remy says he was inspired by American musicals, and yet a more non-American could hardly be imagined. Can we really pretend that an American studio in 1963 would endorse the story of pre-marital sex and the romance of marrying a 17-year old girl pregnant with another man's child and not feel the need to moralize or condemn? Only in France, and thank God for it. All the cast are brilliant - charming and charismatic; the production design looks like a psychedelic gingerbread house; the score is exceptional; the singing genuinely heart-felt and moving; and the whole thing is carried off with such effortless confidence and unreserved joy that it's impossible not to fall in love with it.