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Storyline
An 8-year-old girl is taken from her home and convinced that her family does not want her anymore. After enduring years of horror, she and her fellow victim are dumped by their capturers. Now, 17 years old and no one to turn to except each other, they do their best to survive life on the streets, until one day she finally accepts the help of a shelter counselor to find her way home. However, what she truly finds is the love of her life and that you can never go back. "Gardens of the Night", is a haunting, gritty and topical story which delves deep into the world of child abduction and where it often leads... for the "lucky ones." The writer/director, Damian Harris bases his story on the kids, counselors, cops and pimps he met during two years of research. Written by
Anonymous
Plot Summary
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Plot Synopsis
Motion Picture Rating
(MPAA)
Rated R for disturbing content involving sexual exploitation of a child, language, sexual content and some drug use
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Did You Know?
Trivia
The song that Alex "plays" on his hand the first time Leslie is in his car is the University of Iowa Hawkeyes fight song. Tom Arnold is originally from Iowa.
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Quotes
Young Leslie:
[
first lines - reading]
The marsh ended in a broad plain where the light twinkled. It was a long time since Mowgli had concerned himself with the doings of men. "I will look", he said, "and I will see how far the Man-Pack has changed." The door of the hut opened, and a woman stood peering into the darkness. "Who calls?", said the woman, a quiver in her voice. "Have you forgotten?", said Mowgli. His throat was dry as he spoke.
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Soundtracks
Nick Nack Paddy Whack
Traditional
Courtesy of Opus I Production Music Library
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Drama about San Diego streetwalkers Jacobs and Ross and how they came to be through years of sexual abuse. Brave, disturbing and insightful, yet strangely ceases to be thought-provokingit pretty much is what it is. Tom Arnold is standout in possibly the best role of his career, not to mention Perrineau pulling the audience into Hell with just one unforgettably disturbing scene. Suffers from the FULL METAL JACKET-effect, where the first act easily tops the second actand something is askew when the child actors (Simpkins and Smith) are easily stronger than the adult actors playing the same characters (Jacobs and Ross). The romantic undertones between the two leads are interesting, but nonetheless questionable as it distracts and interrupts more important conflicts at hand.
**½ (out of four)